A Quote by Bob Bergen
For people who want to get into the voiceover industry, even if you want to get into commercial, you need to become a really, really good actor.
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For people who seriously want to get into voiceover acting, clearly the most important thing is that you must be a good actor. That comes first. That's why celebrities get so much work in voiceovers - we've seen their work, we know they're good actors.
When you really want a role and you really want a character, you become quite close to the script and the project, and it is sad when it doesn't go your way. But I've found there's always another one, which will be as good if not better. You can't let your failures bring you down when you're an actor, because then you can't get up.
Voiceover work, I really enjoy. I don't get to do too much of it, but I've been doing more lately, and I like it because you get to do a bunch of options, one after the other, and you can go as big as you want or as small as you want, and you don't think about it sometimes.
I don't audition for "on-air" commercials - the ones where your face can be seen. I've auditioned for voiceover campaigns that I haven't gotten, but I don't really want to be seen in a commercial unless it's a product that I really love. Like, if Adidas asked me, I would do it in a heartbeat. But I did a Reebok commercial, one for Pep Boys, one for Dunkin' Donuts. I auditioned for commercials, but I really couldn't stomach it. It just didn't feel right.
I learned that as a director, you're around all these talented people, so you have this window that all these really good ideas can come in to help your movie, so you're crazy to close them. You need to be inspiring people, engaging people. There are lots of people who are really good at their jobs but might not know or feel like they want to come up to people and get them to participate and want to do their best.
In order to get what you want, you must first decide what you want. Most people really foul up at this crucial first step because they simply can't see how it's possible to get what they want, so they don't even let themselves want it.
For an actor, it's very important to get a clear idea of what a director wants, and their intention for what they want to get out of a scene and how they want to shoot it. Having that knowledge is really valuable, for an actor. It means you can deliver more.
In this music industry, you'll find the differences with artists. You get some people who really love music... and you get people who do this because they want to have money or want to be famous.
When you're an actor or actress in this business, usually the natural progression is to direct, but a lot of times, we don't get a chance to get to it. Myself, I really want to get into it. I want to be the person who eventually doesn't have to be in front of the camera.
When you're an actor or actress in this business, usually the natural progression is to direct, but a lot of times, we don't get a chance to get to it. Myself, I really want to get into it. I want to be the person who eventually doesn't have to be in front of the camera.
There are some really amazing artists and people behind the scenes who are really effective in championing feminism in the music industry, and I think that's really important for people in the industry and for young girls and guys to see. It should become universal. It's really about the other people understanding that everybody's equal and that women are equally as valid creatives, businesswomen, powerhouses...whatever you want to call them.
I didn't want to be taken advantage of and burnt out in the industry. I worked with my family really closely, so I was able to get that respect in the industry. So now I feel that I can let my guard down. People know who I am; I can be myself. I can be more versatile, and I can wear what I want.
I'm actually a very dark person, so I really want to get into some really dark roles, maybe some thrillers. I've never done one of those, so I think I'd really want to get into that, but definitely something that would get lots of people talking.
The reason you want every single thing that you want, is because you think you will feel really good when you get there. But, if you don't feel really good on your way to there, you can't get there. You have to be satisfied with what-is while you're reaching for more.
The office during the day has become the last place people want to be when they really want to get work done. In fact, offices have become interruption factories.
It's weird how an actor can read a script and think 'it's really good, it's really funny, that's going to be really dramatic...' and then you get there and say: "Oh, I have to get in it? I have to get in the water?! Are you kidding?"
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