A Quote by Bob Colacello
I could write an entirely new book about Andy Warhol, but I don't think I will. I certainly don't think Nancy Reagan would like that, as she's been patiently waiting for Volume 2 of my chronicle of the life of her and Ronnie.
Related Quotes
Andy Warhol: I think everybody should like everybody.
Gene Swenson: Is that what Pop Art is all about?
Andy Warhol: Yes, it's liking things.
Nancy Reagan sort of downplayed that, you know - but she was quite successful. At the time she married Ronald Reagan, I think she was keenly aware that [Reagan's first wife] Jane Wyman's career had eclipsed Ronald Reagan's, so she was very determined not to have that happen.
Certainly Nancy Reagan had an extraordinary effect on her husband. I'm truly not sure that, say, Laura Bush had that much effect on the Bush administration. She certainly, you know, seems to be a nice person who I think the public likes. But I can't really put my finger on any huge impact she's had.
My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.
Occasionally, on screen, Barbara [Stanwyck] had a wary, watchful quality about her that I've noticed in other people who had bad childhoods; they tend to keep an eye on life because they don't think it can be trusted. After her mother was killed by a streetcar, she had been raised in Brooklyn by her sisters, and from things she said, I believe she had been abused as a child. She had lived an entirely different life than mine, that's for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person.
Her library would have been valuable to a bibliophile except she treated her books execrably. I would rarely open a volume that she had not desecrated by underlining her favorite sections with a ball-point pen. Once I had told her that I would rather see a museum bombed than a book underlined, but she dismissed my argument as mere sentimentality. She marked her books so that stunning images and ideas would not be lost to her.
There was this one model in French Elle. I can’t imagine what it must be like to be her. She was brunette with big lips and was wearing this tight navy dress by Azzedine someone. She was so beautiful; and the choices she must have. and…Oh, I would give it all up just to have been born that way because her life will be so easy. She won’t have to think, and men will fall into her lap and…It’s all unfair and I don’t want to even write it.
It will never change, and no one wants to admit it but being thin and pretty is the best thing a woman can be.
This book is entirely dedicated to my wife, Robin Sullivan. Some have asked how it is I write such strong women without resorting to putting swords in their hands. It is because of her. She is Arista. She is Thrace. She is Modina. She is Amilia. And she is my Gwen. This series has been a tribute to her. This is your book, Robin. I hope you don't mind that I put down in words How wonderful life is while you're in the world. --ELTON JOHN, BERNIE TAUPIN
Kitty Kelley's method, already perfected in her unauthorised and unflattering biographies of Frank Sinatra and Nancy Reagan, is to write bestsellers that take what she describes as an 'unblinking look' at their subjects - which might, of course, mean that her eyes are permanently open or permanently closed... the result is a work so bad that Britons cannot realise how fortunate they are in being unable to buy it. The great mistake with this book is not that it has been published in Britain, but that it has actually been published anywhere else.
I'd like to think, that were he alive today, Andy Warhol would be painting the Housewives.
I think Chelsea Girls is a complete masterpiece and I think Andy's [Warhol] films are equally as good as the art. I think one day they will be considered equal. They aren't yet. They will be.
I will write a book one day about how I feel about every aspect of Emily Stone. She's a full genius. She has found her genius and is giving it all so fully and beautifully. I think everyone who works with her, brushes shoulders with her, or even makes eye contact with her, gets a shot of sunshine.
You think Bernadette Maguire killed him?” “Uh… no. She’s, like I said, she’s old.” “Old people can kill people too.” “I know, but…” “She could be a ninja.” “She’s not a ninja, for God’s sake. She’s somebody’s great grandmother.” “I want you to think carefully about this, Kenny. Have you ever seen her with a sword?” “What?” “How about throwing stars?” “This is ridiculous.” “Have you ever seen her dressed up as a ninja? That would have been my ?rst clue.” The girl sucked in her cheeks so she wouldn't laugh out loud.
I would like my book to give people insight to the war before and after, but I don't think anyone could read my book and suddenly make up her mind about the war. I want to write for everybody.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
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