A Quote by Bob Costas

If Vin Scully calling a game is just as good in 2013 as he was in 1963, that's the way a game should sound. If Jack Buck were around today, I don't think anybody would ask him to change his style. My style has always been a little bit of a combination of old and new, if only because my frame of reference, personally, was different than that of Ernie Harwell or Jack Buck or Harry Caray. I was a younger guy. Just as Joe Buck's frame of reference is somewhat different from mine. But the nuts and bolts of how to call a ballgame well, I think remain the same.
We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
When I was a 25-year-old kid, I raised $260,000 for my first show, 'The Pajama Game,' in such a homemade, pathetic, endearing way - a buck here, a buck there.
I like Joe Buck. I know there's a big divide on people that like Joe Buck and people that don't like Joe Buck. But I love his cadence and tone and professionalism, and he's smart.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
You know the evil that men do, hell is where the men go. We snatched him by his hands and feet and threw him out the window: "Up, up, and away cause I don't play, clown, Buck, buck, buck, take that with you on the way down." I'm hoping you got springs and wings on your shoes, But you lose, because I got the Ill Street Blues.
My father was a teacher, my mama was a community worker, I taught in so many schools. So when you get that experience of how to communicate with younger people, put that hand on them and give them that old-school feeling, the maturity and adult, a lot of our kids just need the feeling of that love, and that's the frame of reference that I teach from and that's the frame of reference that all of our musicians in the Jazz at Lincoln Center.
Over the years, I think, people - actors, writers, whatever - lose their frame of reference. Their frame of reference is based on somebody else who did this or did that. Performances. So it just becomes a reflection of what already works. Like a warm-up. And that's an invitation to be inauthentic.
I've liked country music for forever. And Buck Owens is just one of many country guitarists I like. I think Buck's Sixties records are really progressive.
I just don't think the Bob Costas, Joe Buck - I don't think that the people that rise to the highest - Jim Nantz, Mike Tirico - need a schtick. I just think Brent Musburger is really good.
It is a good principle in science not to believe any 'fact'---however well attested---until it fits into some accepted frame of reference. Occasionally, of course, an observation can shatter the frame and force the construction of a new one, but that is extremely rare. Galileos and Einsteins seldom appear more than once per century, which is just as well for the equanimity of mankind.
No one ever bugged Jack Nicholson. When we made 'Witches,' and people were standing around to see him, he'd just come out and say, 'Hi everybody!' I was lucky enough to go with him to a Lakers game, too, and he was always friendly. No one bothers Jack, because he makes himself so accessible.
Nobody's tuning in - let's check the TV Guide listings and see what game Joe Buck is calling. Nobody cares. They want to see the Cubs. They want to see the Packers. They want to see the Cowboys. They don't care who's calling the game.
Great companies start because the founders want to change the world... not make a fast buck. Call me a romantic, but I think entrepreneurs should try to change the world. This comes from working at Apple... old habits die hard.
When the rich build bigger, they shift the frame of reference that shapes the demands of the near rich, who travel in the same social circles. Perhaps it's now the custom in those circles to host your daughter's wedding reception at home rather than in a hotel or country club. So the near rich feel they too need a house with a ballroom. And when they build bigger, they shift the frame of reference for the group just below them, and so on, all the way down.
I go all the way back to the Hot Boys days and being 13, listening to this dude. Just remembering the staple he put on the game back then all the way to now, to have that longevity years beyond it. So for him to actually acknowledge what I'm doing right now and seeing it as a path, the same way the longevity he created, it's a great feeling to actually share that same stage and a moment with him. Wayne ain't no new jack to this game. He influenced a lot of styles and a lot of sounds. I would say I was influenced by a recent sound and flow, and cadence that he brung to the game.
The people I used to have around me from Nashville was showing love to the Cash Money clique on the strength of Buck trying to make it; making sure Buck gets to where he gots to go.
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