A Quote by Bob Costas

(He was) a fragile hero to whom we had an emotional attachment so strong and lasting that it defied logic. — © Bob Costas
(He was) a fragile hero to whom we had an emotional attachment so strong and lasting that it defied logic.
I'm someone who had a deep emotional attachment to 'Starsky and Hutch.'
The contemporary hero, the mythical pattern in the imitation of whom we would live, remains as yet undefined. We have no hero; what is more to the point, we suspect hero worship.
I grew up with an Apple 2E - I had a deep, emotional attachment to that machine - and I loved doodling.
I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
It is difficult to remove by logic an idea not placed there by logic in the first place. By nature, we are emotional creatures. Often we live and react based on feelings, not logic. Feelings are wonderful, but when we become tied to a particular thought or belief we tend to ignore the fact that change might be necessary.
All the women of this fevered night, all that I had danced with, all whom I had kindled or who have kindled me, all whom I had courted, all who had clung to me with longing, all whom I had followed with enraptured eyes were melted together and had become one, the one whom I held in my arms.
The being who, for most men, is the source of the most lively, and even, be it said, to the shame of philosophical delights, the most lasting joys; the being towards or for whom all their efforts tend for whom and by whom fortunes are made and lost; for whom, but especially by whom, artists and poets compose their most delicate jewels; from whom flow the most enervating pleasures and the most enriching sufferings - woman, in a word, is not, for the artist in general... only the female of the human species. She is rather a divinity, a star.
Beneath words and logic are emotional connections that largely direct how we use our words and logic.
When you ask people, 'What's the opposite of fragile?,' they tend to say robust, resilient, adaptable, solid, strong. That's not it. The opposite of fragile is something that gains from disorder.
If you look carefully you will see that there is one thing and only one thing that causes unhappiness. The name of that thing is attachment. What is an attachment? An emotional state of clinging caused by the belief that without some particular thing or some person you cannot be happy.
Desperation precludes reflection. That is one of the reasons why smart people can get involved in very obviously unworkable relationships. Like addiction, that deep, Imago attachment is more powerful than logic, and in fact disables logic. So, any explanation or analysis or reflection on such a feeling is already many steps removed from the experience.
You might be tempted to avoid the messiness of daily living for the tranquility of stillness and peacefulness. This of course would be an attachment to stillness, and like any strong attachment, it leads to delusion. It arrests development and short-circuits the cultivation of wisdom.
Just seeing the fact that this is an attachment, that attachment is a bondage - a beautiful word for bondage - that attachment is not love... just seeing the ugliness of attachment - it drops; then arises love. The same energy that was becoming attachment, released from attachment becomes a totally different energy; it becomes love.
When I read the script of 'Karu,' there was a spark within, and I instantly connected with the story. I was emotionally attached to the story. After we finished shooting, I was so attached to the kid who played my daughter, I wanted to adopt her. That's how strong my emotional attachment was with the role and the story.
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be the director of, because I had an emotional attachment to the whole story. And because of that experience, I feel that I can try other films. I didn't set out to become a director.
I will not deny that my heart has long occupied itself with the most tender feelings for another. So strong were these impulses that I indulged myself by thinking that if I could not have him whom I admired whom I will admit it now when I would not before I loved then I would never want another. However those are sentiments best saved for one of Lily's romances. The heart is a far more practical thing and in its life is happily capable of more than a single attachment.
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