A Quote by Bob Cousy

I was the original socially depraved shy ghetto kid. — © Bob Cousy
I was the original socially depraved shy ghetto kid.
I was a super shy, shy kid, so that was kind of my way of expressing myself - to mimic what I saw on TV. I was a bit of a weird kid, but luckily my parents encouraged it.
When I was a kid in Boston, it was one of the most anti-Semitic cities in the country. If you were living in the ghetto as I was, the Jewish ghetto part of Roxbury, and you went out alone at night, you might be subject to having people attacking you for being a Christ killer.
If the Negro in the ghetto must eternally be fed by the hand that pushes him into the ghetto, he will never become strong enough to get out of the ghetto.
I was just genuinely shy. I'd always been a shy kid.
I was very shy and socially awkward.
As hard as it is, as ghetto as it is, hip-hop is pop music. It's the sound of music getting out of the ghetto, while rock is looking for a ghetto.
A depraved culture supports a depraved politics and vice versa.
The minute I sit down and think 'Okay, this must be KID SAFE!' my Muse develops Tourrette's and goes to lunch with Clive Barker, and my mind plunges into the gutter and I draw an appalling blank on anything that is not violent, gory, profanity laden, or depraved. So I think the only way I can ever do kid's books if I plan not to do kid's books. If that makes any sense.
Despite being quite a shy kid, I was in my element with my mates. I definitely wasn't shy then. We had a lot of fun, running around town getting into mischief.
The kids that are making the ghetto stuff I can't even reach are the ones that are inspiring me to play music for the other kids in the city they don't even know about. If I don't get those kids making music, there won't be an original kid DJing like me in five to 10 years.
I started writing stories when I was six years old. I was a very shy kid, extremely shy, and I had a fabulous first-grade teacher who told me to write.
I know this sounds strange, but as a kid, I was really shy. Painfully shy. The turning point was freshman year, when I was the biggest geek alive. No one, I mean no one, even talked to me.
And I was very shy as a kid; if you sang me 'Happy Birthday,' I would cry. Quite shy. So the idea of being an actor, much less a model, was just out of this world.
I went to this arts high school in Greenville, S.C. In speech class, the teacher, a white man, would say, 'You're talking ghetto. Don't talk ghetto.' I'm not only offended, but I'm confused because while there's nothing wrong with people who come from the projects or the ghetto, that's actually not my experience.
I'm a black kid from the ghetto of Coney Island, Brooklyn, who only ever dreamed of playing in the NBA. So to have that dream come true but then go on this second journey in China... it's so far beyond anything that kid could have imagined.
I was a very shy kid. Very shy. But I started doing theatre when I was six years old, and that really changed something. My more playful side came out of me.
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