A Quote by Bob Crane
I really always wanted to be an actor, I guess, but I did enjoy being a disc jockey here in Los Angeles.
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I'd always dreamed of being an actor and going out to Los Angeles or New York and being paid to do what you love, and then I went and did that, and it wasn't what I expected.
All I really wanted was to be a full-time disc jockey.
I always wanted to have a family - that was one of my big wishes. And in school, I'd taken drama, and I'd always wanted to act. I did go to drama school in New York, Los Angeles and London, and I did small parts here and there, but I never really had the time. Modeling was always paying more.
I love Los Angeles, and I've secretly always wanted to do a song about Los Angeles, but it's a hard thing to pull off.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I wanted to be a disc jockey.
When I moved to Los Angeles, I figured I'm really going to make an attempt to become a real actor. And when I did that, I thought it was time for me to face my parents and tell them what I did.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
I do remember in high school I wanted to be a disc jockey.
I guess the disc jockey thought I was trying to sing or something so ... they had fun with it. But the reality was that it was something, there was a concept behind it.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
When 'Real People' aired in 1979, we did OK in Los Angeles and New York. What kept that show from being canceled were the ratings from the middle of the country, and that's what kept us in the top five. I learned then from co-hosting that it was important to focus on the country between Los Angeles and New York.
When I first moved out to Los Angeles I was thinking, you know, I wanted to be an actor but I didn't really know what acting was about. I thought if I could be a model, or even do commercials and stuff like that for the rest of my life, I'd be happy.
I just never did buy this idea that you have to live in Los Angeles to be an actor. I didn't see that as a requirement in my job description.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
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