A Quote by Bob Crane
After two years with 'Donna,' they offered me a new contract, but I said no. I didn't want to be the fourth man through the door any more.
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When God gives you a door, if you want access, you go through that door. People didn't like Jesus. Oh, they had all kind of reasons to hate him but Jesus said, "I am the door. Any man who enters must come by me. If you don't come by me," he said, "you're a thief and a robber."
Well, if Omarosa Manigault is the door to Donald Trump, well I kind of like that door. That's a pretty door. That's an intelligent door. That's a spiritually rooted door.
I have two years left on my contract with Hertha Berlin, but I'd like to play in England and if I'm offered a good contract from an English club then I'd want to go there.
I went to Indiana University for college for a couple of years where I double majored in dance and journalism, and after my sophomore year there, I went to the San Francisco Ballet school for the summer, but then they offered me a scholarship to stay for the year. That's where I danced after the year they offered me a contract with the company.
I was with Miles Davisfor a couple of years as his bass player, and it was a beautiful experience. After two years I said to him, "Listen, man, I want to leave your band." He goes, "Why?" I said, "Because I want to develop not just as a bass player, but I want to get more into composition, into producing, and I'm working with Aretha Franklin and Luther Vandross and all these guys, and I want to really see how much I can grow and develop." He actually gave me his blessing.
I never in a million years thought I would be starring in Hairspray, ever. Because if you think about my past, it's been 30 years of playing a macho leading man, so when I was offered it, I said: "Why? Why me? What have I done to deserve that you think I should do this?" After much convincing, over a year and two months, I was convinced they wanted to make a great movie.
About five years ago, I was offered a contract by the Clifton Village Cricket Club in Nottingham, England. I was staying with one of my teammates there and everything was new for me.
...I got a call from a record company offering me a contract, I did not want to take it because the Lord had pointed me in the direction of spiritual activity...And then it was disclosed to me that I could do both spiritual and musical work. So for five years I executed that contract, and when it was finished, after I made the album Transfiguration, I didn't make another album until twenty-six years later. This new album, Translinear Light, came out of the pleading and constant appealing from my son Ravi Coltrane: 'Ma, please make a CD.' So I eventually agreed.
"I was just offered a contract on your life, for enough money to make it worth my while." It was my turn to be quiet. "Did you take it?" "Would I be calling you if I had?" "Maybe," I said. He laughed. "True, but I'm not going to take it." "Why not?" "Friendship." "Try again," I said. "I figure I'll get to kill more people guarding you. If I take the contract, I only get to kill you." "Comforting."
If Balanchine had any secret, it was one that has endured through two hundred years of classical ballet. It is that dancing correctly in three dimensions, on the music, creates the fourth dimension of meaning.
It's funny because I was offered film parts the first week after 'The Office' went out. I was sent a script, and I said, 'Who's the lead?' They said, 'We want you to be.' And I said: 'Well, who's going to go and see that? You want John Cusack.'
When I was 15, Aston Villa offered me a trial for four days. In those days, I was more interested in making mischief and I didn't even turn up until the fourth day and then they sent me packing because they said I wasn't dedicated enough.
I don't want unnecessary violence, sergeant," said Blouse. "Right you are, sir!" said the sergeant. "Carborundum! First man comes through that door runnin', I want him nailed to the wall!" He caught the lieutenant's eye, and added: "But not too hard!
Should a young scientist working with me come to me after two years of such work and ask me what to do next, I would advise him to get out of science. After two years of work, if a man does not know what to do next, he will never make a real scientist.
I was extraordinarily lucky. I wrote a book because I wanted to see if I could write a mystery. Someone nagged me into sending it to a contest, which it won, after which I was offered a two-book contract, thus requiring the writing of a second book.
Our immediate interests are after all of but small moment. It is what we do for the future, what we add to the sum of man's knowledge, that counts most. As someone has said, 'The individual withers and the world is more and more.' Man dies at 70, 80, or 90, or at some earlier age, but through his power of physical reproduction, and with the means that he has to transmit the results of effort to those who come after him, he may be said to be immortal.
After my brush with the suicidal impulse, I listen with new ears to others when they speak on the subject. I think there are people who were born with that little door open, and they have to go through life knowing that they might jump through it at any moment.
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