A Quote by Bob Dylan
Music can save people, but it can't in the commercial way it's being used. It's just too much. It's pollution.
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I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.
I had big teeth, and I was goofy. I probably used to mess with people too much. People were always trying to be cool, and I was just being goofy and an idiot. So whenever I would get picked on - which happened a lot - I would usually find a way to talk my way out of it or joke my way out of it.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
Pollution is a serious one. Water pollution, air pollution, and then solid hazardous waste pollution. And then beyond that, we also have the resources issue. Not just water resources but other natural resources, the mining resources being consumed, and the destruction of our ecosystem.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
I enjoy music that is commercial. I think that in order for music to be heard in a lot of different situations, you have to always consider that. Commercial music, for the most part, is popular music, and you always have to keep that in mind. It's not so much financial as making sure it gets the shot and is heard on the radio.
I think the environmental movement has failed in that it's used the stick too much; it's used the apocalyptic tone too much; it hasn't sold the positive aspects of being environmentally concerned and trying to pull us out.
Jazz is not just music, it's a way of life, it's a way of being, a way of thinking. . . . the new inventive phrases we make up to describe things - all that to me is jazz just as much as the music we play.
I can't talk fellowship to you who are gathered here. Too much blood has been spilled. I know from my experience it is up to the working people to save themselves. The only way they can save themselves is by a strong working-class movement.
There's much more music now in movies than there used to be. Maybe sometimes there's too much music.
I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.
I don't think too much about how it might exist in the world in a commercial sense - I more just try and focus on making music that I love and trying to put it out into the world.
Advertising justifies its existence when used in the public interest-it is much too powerful a tool to use solely for commercial purposes.
We still have too much air and water pollution and we still need to work to reduce it. But we also need to put the problem of pollution into a historical as well as scientific perspective.
I think there's just been this "thing" that's developed, this way that we have of talking about our music that alienates people. And I fall into that too! I learned that in graduate school. You just talk about your music in a specific way, and that separates people from you. But some composers like that. Schoenberg liked that. He wanted to feel that he was making music for an elite few. That's fine for him, but I want to set myself free from that sort of attitude.
I think I'm commercial underground. I'm not commercial in the way that people consider 'pop,' but I'm not underground in the way that people consider that. either. I am just a cool guy.
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