A Quote by Bob Dylan
It is the first line that gives the inspiration and then it's like riding a bull. Either you just stick with it, or you don't.
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A picador is the guy in a bullfight who helps make sure the matador doesn't get killed by distracting the bull. That's what TV writing is. You're just distracting the bull long enough to stick around for the next set of commercials.
Saddle bronc is the quintessential rodeo sport - not the chaos of bull riding or the thrashing of bareback riding. It might be harder than both.
I ended up signing for IndyCar and it was a good decision. I should have waited another 10 days to actually talk to all of the teams, because I just went in, boom, I got the first offer and I said OK I'm racing. It's almost like it was the girlfriend just gives you a no and then you just get the next one that gives you a yes.
I tried bull-riding... I wasn't good at all: I don't think I ever got eight seconds anywhere. But then, after that, I discovered acting through community theater.
It'd be the thrill of anyone's bull riding career to ride Red Rock.
Like when Freckles Brown rode Tornado.
I don't think talent has anything to do with inspiration. Inspiration creates talent. People prioritize innate talent too much. It gives them license to walk around and act like assholes. I think I straddle a line between being innately talented and having had to put in some work. You ever go to a party where there are a lot of creative people and they feel like they have license to just act any kind of way? I'm not really a moral person myself, but they just tend to never ever be sincere because they believe their art or the fact that they are artists makes them holy in some way.
We used to have a bull. A real bull. At that time, Jennifer Lopez was my neighbor. God bless her, she took it. But other neighbors did not like it, that we have a bull.
I done drew the line. Just like the Alamo. You're either on one side of the line or the other. I don't want to ever leave Texas again.
Every time I go to work, I feel like it's the first time; I feel terrified and excited and exhilarated and like a deer in the headlights. I think: how do I do this? And then it just happens. Like riding a bike, you know?
Within the first few months I discovered that being president is like riding a tiger. A man has to keep riding or be swallowed. The fantastically crowded nine months of 1945 taught me that a President either is constantly on top of events or, if he hesitates, events will soon be on top of him. I never felt I could let up for a single moment.
During the night, while Bull and Lucy slept, Edward, with ever-open eyes, stared up at the constellations. He said their names, and then he said the names of the people who loved him. He started with Abilene, and then went on to Nellie and Lawrence and from there to Bull and Lucy, and then he ended again with Abilene: Abilene, Nellie, Lawrence, Bull, Lucy, Abilene. See? Edward told Pellegrina. I am not like the princess. I know about love.
One must do one of two tings: either admit that the existing order of society is just, and then stick up for one's rights in it;or acknowledge that you are enjoying unjust privileges, as i do, and then enjoy them and be satisfied.
Bull riding is fun, but fighting is it.
In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.
Relationships are kind of like riding a bull. You hang on for dear life and sometimes you get a little buck here and there ... but you get back on.
Punters must catch bullet snaps that sometimes bounce or test their verticals. Then they must aim away from dangerous returners or pierce the wind with low spirals or drop punts into 'coffin corners' or stick them nose-first like majestic 2-irons near the goal line.
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