A Quote by Bob Dylan

Praise be to Nero's Neptune The Titanic sails at dawn And everybody's shouting "Which Side Are You On?" And Ezra Pound and T.S. Eliot Fighting in the captain's tower While calypso singers laugh at them And fishermen hold flowers.
T.S. Eliot's influence was enormous on my generation. Much more than Ezra Pound. I actually had to put T.S. Eliot books out of the house because my poetry was so influenced. Everything I wrote sounded like Eliot.
Pound was silly, bumptious, extravagantly generous, annoying, exhibitionistic; Eliot was sensible, cautious, retiring, soothing, shy. Though Pound wrote some brilliant passages, on the whole he was a failure as a poet (sometimes even in his own estimation); Eliot went from success to success and is still quoted--and misquoted--by thousands of people who have never read him. Both men were expatriates by choice, but Eliot renounced his American citizenship and did his best to become assimilated with his fellow British subjects, while Pound always remained an American in exile.
I unlearned the model of being an editor like Ezra Pound with T.S. Eliot, the unconscious belief that America was the center of the world, and that honesty meant saying what I thought and always being direct.
There's a good deal in Pound's and Eliot's poetry that stood up even though their politics were deplorable. Or Pound's very deplorable, Eliot's kind of deplorable.
The Brain - is wider than the Sky - For - put them side by side - The one the other will contain With ease - and You - beside - The Brain is deeper than the sea - For- hold them - Blue to Blue - The one the other will absorb - As Sponges - Buckets - do - The Brain is just the weight of God - For - Heft them - Pound for Pound - And they will differ - if they do - As Syllable from Sound.
Every poet gets to choose what kind of community he or she serves with the poems, and it's true that there is a community for very difficult, challenging poetry. It's a community that's established itself over the last 80 years, that was originally, in effect, really started by T. S. Eliot and Ezra Pound. They believed that poetry ought to contain learning, that it ought to rise upon all the learning that went before.
Everybody Sails alone, but we can travel side by side
Once I remember shouting, 'Mum, can I get a pound for an ice cream?' and she said, 'I haven't got a pound, Kyle.' People take so much for granted, but I will never forget that.
Ezra Pound was a pioneer of the most exciting aesthetic movement of the 20th century.
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to make them laugh. They can't laugh at someone they're looking up to.
People who fish for food, and sport be damned, are called pot-fishermen. The more expert ones are called crack pot-fishermen. All other fishermen are called crackpot fishermen. This is confusing.
Ezra Pound was a crackpot on social and political issues, but he knew what he was talking about in matters of the written language.
Everybody can relate to feeling hopeless, at some point in their life, and everybody can relate to fighting for something that's worth fighting for, and everybody can relate to a person in their life that makes them go, "I don't know why you're here right now," but then, at the end of the day, realizing you'd do anything for them.
There is little premium in poetry in a world that thinks of Pound and Whitman as a weight and a sampler, not an Ezra, a Walt, a thing of beauty, a joy forever.
I was well read and knew languages, but I didn't want to become Ezra Pound. I wanted to write poetry that people like my parents might respond to.
The Dutchman sails as its captain commands!
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