A Quote by Bob Dylan

I'm not a playwright. The people in my songs are all me. — © Bob Dylan
I'm not a playwright. The people in my songs are all me.

Quote Topics

Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Some people don't have a way of that catharsis and I do, so I'm lucky in that sense that people listen to my songs and enjoy my songs. It's a really important thing for me, it's how I channel everything. I don't really know what I'd do if I didn't write songs.
I am not a playwright. A playwright would take "Antigone" and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
People think they know me from my songs. But my repertoire of songs is so wide-ranging that you'd have to be a madman to figure out the characteristics of the person who wrote all those songs.
I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.
Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately.
Havin' Dylan cover one of your songs is like being a playwright and having Shakespeare act in your play.
Sometimes we go to a play and after the curtain has been up five minutes we have a sense of being able to settle back in the arms of the playwright. Instinctively we know that the playwright knows his business.
One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.
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