A Quote by Bob Dylan

When I was growing up - say in the fifties - the thirties to me didn't even exist. I couldn't even imagine them in any kind of way, so I don't expect anyone growing up now is gonna even understand what the sixties were all about, anymore than I could the thirties or twenties.
I was talking to my mom one time, like, "Gosh, I'm 30." And she's like, "In your thirties you're even stronger than in your twenties." I didn't believe her, but I have played better in my thirties.
I've enjoyed all my times, teens, twenties, thirties, forties, and now I'm enjoying my fifties.
When I say myself, I don't mean just as a woman of color, as a girl who's growing up in the Bronx, as people growing up in some way economically-challenged, not growing up with money. It was also even just the way we spoke. The vernacular. I learned that it's alright to say "ain't." My characters can speak the way they authentically are, and that makes for good story. It's not making for good story to make them speak proper English when nobody speaks like that on the playground.
My twenties were great. Who didn't have fun in their twenties? But my attention was more out there, more about the surface stuff and the cosmetic stuff. I was always thinking, 'What do I need to do?' Now in my thirties, it's, 'What do I want to do?' I've just become more solid with my own identity. So whoever wants to say their twenties are better... Yes, they're fun, especially at night - better parties, better cocktails... not better sex though. Absolutely not. And whoever says that is lying because sex in your thirties and beyond is f**king out of this world.
I'm in my fifties now. That's still a shock when I say it out loud, because I don't feel any different to when I was in my thirties.
YouTube is growing up, is basically my view of it. Growing up means our creators are growing up; they're getting more well known. We're providing programs for them to generate more revenue so they can generate even better, high-quality shows, and then also connecting them with the advertisers.
When I was in my early twenties, parts would be written for women in their fifties, and I would get them. And now I'm in my early thirties, and I'm like, 'Why did that 24-year-old get that part?' I was that 24-year-old once. I can't be upset about it; it's the way things are.
The one concession I've made as I've gotten older is that my children are now adults and they're in their twenties and thirties and so I'm careful about how I write about them. I may write about them as a child, but I'm not going to write about their current struggles because they're adults and they can do it for themselves. I want to give them some space in a way I didn't when they were younger.
Growing up in the suburbs of Chicago and living in New York, it didn't even strike me as a possibility that a place could really exist without tons of Jews.
I told her it was a bigger than life musical, that all the actors were going to be about the same age, late twenties into thirties. It would be a style; a kind of surreal high school.
The people that have inspired me the most were dancers and choreographers. Even growing up, if I dealt with any pressure to be a certain way, I knew that as an artistic lane, dancing was the one that was a little more freed up - like, no one in my family is really doing that; I can be that person.
In Windsor in the forties, and even up into the fifties and sixties, if you were black, you had to sit in the balcony of the theatres, and you couldn't buy property in most places.
[I]t just makes me tired even thinking about it. It reminds me of that feeling I had before I left. Like my lungs were made of lead. Like I can't even think about starting to care about anything. Like I either wish that they were all dead, or I was, because I can't stand the pull of all that history between us. That's before I even pick up the phone. I'm so tired I never want to wake up again. But I've figured out now that it was never them that made me feel that way. It was just me, all along.
I think that love isn't what you think it is when you're in your twenties or even thirties.
When I was young, a lot of the guys could sell themselves to me on the way to the ring with the way they acted and their mannerisms. Guys like Shawn Michaels, who I loved growing up. They were just loud. They didn't even need to say a word because they came out and had this crazy ring gear on.
As a lad growing up in the Fifties and Sixties, I played both Gaelic football and soccer and loved them both.
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