A Quote by Bob Dylan
Opportunities may come along for you to convert something - something that exists into something that didn't yet. That might be the beginning of it.
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Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
People will love something very much or hate something very much. But the great thing about a sketch show is that if something comes along that you don't like, something else will come along in a minute that hopefully you might like that.
The motive of art comes to us not from what exists, but from the notion that there is something higher, something nobler, something richer, and that what exists corresponds only partially to all of this.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
I set the bar high because I don't want to do just any other show just to keep working. I want to do something special that means something to people and speaks to them. Those kinds of opportunities don't come along all the time!
It's okay if it takes two or three years for something really good to come along, but I don't want to wait ten years for something great to come along.
Some people just look at opportunities and say, 'Maybe something better might come along; let's wait and see.' But you don't wait. You just grab it and go after it.
Sometimes as human beings, we're so contradictory - we may say something or do something and completely contradict ourselves. That's what I'm learning to embrace in television - not knowing what's going to happen. I might make a specific choice for myself and then in the next episode the writers might write something that contradicts it.
Sometimes great stuff comes quickly and sometimes it doesn't and you've got to dig in for the long haul, don't loose heart, and wait for something to come along. Which is something you learn the more you do it, that if it isn't coming straight away just hang in there and something will come.
You do things when the opportunities come along. I've had periods in my life when I've had a bundle of ideas come along, and I've had long dry spells. If I get an idea next week, I'll do something. If not, I won't do a damn thing.
Why should we consider defining intelligence as something global and as something that hasn't actually yet appeared on Earth? It may be useful for envisioning the future of our own civilization and any others that may be out there among the stars. It might give us something to strive for.
Well, it seems like a miracle to be able to look forward-to-to see all the minutes in front of one come hopping along with something marvellous in them, instead of just[Pg 295] saying, Well, that one didn't actually hurt and the next may be quite bearable if only something beastly doesn't come pouncing out--
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
Sometimes when you grieve, you grieve at a time where you don't really expect it. You might hear a song or you might smell something or see something that might trigger something, and all of a sudden you get hit with this rush of emotion.
I hope that young girls will have the dream and will have experiences. And it might not be in swimming. It might be in something else. But I found a passion, and I love it. It's something I love and something I enjoy. It's something I'm good at. And it's what I have been able to give 100 percent to.
I see my work as having a relationship to the visual world, not just some emotive residue of my feelings. It relates to something that exists, or might exist, rather than a transcendent mental state or something like that.
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