A Quote by Bob Dylan
People have different emotional levels. Especially when you're young. Back then I guess most of my influences could be thought of as eccentric. Mass media had no overwhelming reach so I was drawn to the traveling performers passing through.
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Life in the [London] suburb is richer at the lower levels. At these levels the people are not self-conscious at all, they are at liberty to be as eccentric as they please, they do not know that they are eccentric.
People have different emotional levels. Especially when you're young.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
I thought I could play the hellraiser and then put 'Johnny Vegas' back in his box. I found popularity through self-destruction. The more you damage yourself, the more people are drawn to you, and that can be quite addictive. It is not a lifestyle you can maintain.
The similarity is that concentration of capital influences virtually everything that goes on. It influences the way the media functions, it very powerfully influences how the government works and it of course influences corporate sector elements, like say how Google or Amazon present materials that reach the public.
Perhaps this is what really happens in life to most good men. They are not crucified. They simply pass through life and then die, and their passing influences just a few people to make them just a little happy.
Life's not so rocky now. It was very volatile when you're young: you've got no experience. Your sense of disappointment is far greater; your sense of success is overwhelming. And then you've got the emotional conflict within any group that you're not mature enough to deal with until you get older. It levels out.
We weren't very wealthy, but I had a real working-class guilt about wanting to perform. I felt disdain towards it because of the thought that performers were looking for attention. I did theatre studies for my A levels, but didn't think a career as a performer was something I could do.
For a lot of young girls, the media frenzy and the social media challenges becomes so overwhelming that maybe they don't go to inner beauty or inner strengthIf you don't have a positive roll model in your life then it's about finding people around you that can be that message bearer.
[While] physically traveling someplace or experiencing someplace firsthand, physically versus - which is what a lot of young people do - the experience is mitigated through technology and through social media.
I think there's a lot of people going through different things where you feel like your whole world's imploded, and you feel like you lost it all, whether it's physical, emotional, whatever you're going through. If I can be that beacon of hope for people that need it the most through dancing and through our storytelling, then I've done my job.
It's thought of as an eccentric thing for an actor to really try to maintain quality control through the whole career. Most people think, 'You just work. You just keep working.' And in some ways I wish I could be a guy who's just a workhorse.
There's something going on right now in America, where the American spirit or character is reasserting itself around liberty. I think it's an important time, and I'm trying to document that as an artist. If I just filter what I read through the media, if I just go through what I read through the media, I'm not really in touch with the world I grew up in. I know there's a gap there, I talk to my relatives, I talk to people I meet traveling around, and their mind is on something completely different.
I've always had an overwhelming desire to express a particular set of ideas. As a musician, I'm always working with different people who can teach me new things and, through that, reach closer to an idea of this perfect expression. I'm never setting out to change the face of electronic music; I'm just trying to define this vision.
She raised her eyes to his. They had both come from misery, she thought, and survived it. They had been drawn together through violence and tragedy, and had overcome it. They walked different paths and had found a mutual route. Some things last, she thought. Some ordinary things. Like love.
My sympathies go out to the young performers today because they are under a microscope in a way I wasn't. Now everybody's got a camera phone and can record at will or take pictures of you. It's just a different world. I don't know how I would have fared back then.
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