A Quote by Bob Dylan
It's always disappointing when people decide for one reason or another that they don't like your work anymore, but you can't try to please people, because then you're just going to be doing - you'll never live it down, y'know it'll always be dogging you around - you might be being a fake about the whole thing.
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You can't just be a wimp and then a year and a half or two years later decide to not be a wimp anymore. Because people will always treat you like a wimp once they have decided that's what you are. You have to be strong and tough and intelligent and smart and kind of plan out what you're going to say and know who you are. So that people will get that right away. Because then they're always going to be great to you. And they're always going to treat you with respect.
The thing is, to try to talk about a performance that will never be seen again, that was only lived by the people there, it's kind of like telling somebody about your dream. You know if they love you they'll listen and smile, but they can't really get it, so there is a certain infinite quality to film that is nice. You do the work and you know it's always going to be there. The flip side is if you do bad work it's always going to be there.
Most people/musicians hear things differently and what might please one might not please another. One man's meat is another man's poison. Don't be afraid to dig, the most important people/musicians in my life always have. If you do decide to dig, don't always expect to come up with a clean face. It's o.k. The most important lessons to me have been learned by trial and error. All I'm trying to say is "try to find yourself," as I have.
The drinking was getting way out of control. I just didn't recognize myself anymore. I didn't know what I was doing or where I was. I always had to have some drinks with me in my bag. Just waking up shaking and then having Bloody Marys on your own, first thing in the morning-I started to feel really pathetic about it. So I was like, "I can't live like this." It was just this really awful feeling of becoming a totally different person and not being able to control it at all. Then I tried to not drink, but that didn't work. So I figured I should just go to rehab.
You just have to know your story from the beginning. You have to know what you're going for and be honest with people about that. Don't sit there and say you're gonna be a DIY punk band for your whole life and then move on to arenas; you can't do that because then people don't trust you anymore.
When I was a teenager, I was trying to please people. I kept changing who I was to please the people I was with. And so once I just decided I wasn't going to do that anymore. I was going to live my life to please God. And so from that day to this, that's been my aim. Some people don't understand, but you can't please everybody anyway.
Everybody that listens to something hears it differently from their own perspective. And you can't please everyone. Don't even try. Please yourself first and then try to please those people around you that you feel know what you're doing.
Yeah, it can be dangerous to kind of try and target your art to a certain type of people! You don't know who's going to gravitate towards your work, you never know what people are going get out of the work. So I try and just create music that feels true to my taste, and then see what happens.
You can't make everyone happy no matter what. All I can do is live my life and try to be successful and please myself. I have my own morals I live by. Bill Cosby once said, 'I don't know the key to success but the key to failure is trying to please everybody.' I agree with that. I live my life my way. I try to do the right thing, but I know there are going to be people who aren't happy with what I do or say no matter what, so I'm not going to worry about it.
I've never really considered myself as being the best bodybuilder. I always try to let the people decide that. I just try to do the best I can do at whatever it is that I'm doing.
The best thing that I can offer to people is just to be honest, and that's a rare quality. In doing so, I think there's always a top down feeling that permeates a working environment. If the boss is cool and he's a certain way that's not bullshitting, then everyone around is going to feel that comfort and try to be that way, as well. That's just who I strive to be, as a person.
I've always tried to be an actor who... I just plod on and try to keep my mouth shut, mind my own business. I find the whole thing about people's lives... I can't understand it. I'm always astonished that people want to know anything about me.
I've always been outwardly personal. I've always been that chick. A lot of my friends be like, 'TMI, Tiffany, TMI.' I just feel like it's important to share your experience on this Earth, because you never know who's watching, who might be going through the same thing, who might feel devastated.
I've never felt Truth was Beauty. Never. I've always felt that people can't take too much reality. I like being in Ingmar Bergman's world. Or in Louis Armstrong's world. Or in the world of the New York Knicks. Because it's not this world. You spend your whole life searching for a way out. You just get an overdose of reality, you know, and it's a terrible thing. I'm always fighting against reality.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
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