A Quote by Bob Dylan

She takes your voice and leaves you howling at the moon. — © Bob Dylan
She takes your voice and leaves you howling at the moon.
I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.
When someone gradually leaves your life, that's one thing because you get used to the end of it. When somebody disappears, it takes all of your control away. It leaves you frantic.
Talking to animals' isn't a matter of words used, it is a matter of your thoughts, your expression, and above all the tone of your voice. A harsh voice from me can make my cows jump in terror. I shouted at old Queenie once and she got such a shock that she fell down just as if she'd been shot.
I stayed under the moon too long.I am silvered with lust.Dreams flick like minnows through my eyes.My voice is trees tossing in the wind.I loose myself like a flock of blackbirdsstorming into your face.My lightest touch leaves blue prints,bruises on your mind.Desire sandpapers your skinso thin I read the veins and arteriesmaps of routes I will traveltill I lodge in your spine.The night is our fur.We curl inside it licking.
Something about the Clintons sets the GOP to howling at the moon.
The man is the captain, the women is the lieutenant and the kids are the soldiers. Like right now I'm not home with my kids. I teach my Wisdom so when I'm not there she takes care of the shorties. Just like the sun shines on the moon, and when the earth rotates and the moon is over here, and the sun is over here, and the sun and its shaded on the side we get light from the moon, showing and proving how we're symbolic to the stars and things of that nature.
The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist. . . . When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.
Aubade THE lark now leaves his wat'ry nest, And climbing shakes his dewy wings. He takes this window for the East, And to implore your light he sings- Awake, awake! the morn will never rise Till she can dress her beauty at your eyes. The merchant bows unto the seaman's star, The ploughman from the sun his season takes, But still the lover wonders what they are Who look for day before his mistress wakes. Awake, awake! break thro' your veils of lawn! Then draw your curtains, and begin the dawn!
Origami Striptease reads like William S. Burroughs and Djuna Barnes howling at a brutal paper moon.
How much more beautiful is the moon, Slanting down the gauffered branches of a plum-tree; The moon Wavering across a bed of tulips; The moon, Still, Upon your face. You shine, Beloved, You and the moon. But which is the reflection?
The moon, our own, earthly moon is bitterly lonely, because it is alone in the sky, always alone, and there is no one to turn to, no one to turn to it. All it can do is ache across the weightless airy ice, across thousands of versts, toward those who are equally lonely on earth, and listen to the endless howling of dogs. (“A Story About The Most Important Thing”)
She's a devil, she's an angel, she's a woman, she's a child. She's a heartache when she leaves you, but she'll leave you with a smile.
The moon likes secrets," Meran said. "And secret things. She lets mysteries bleed into her shadows and leaves us to ask whether they originated from otherworlds, or from our own imaginations.
I was too tired to think. I merely felt the town as a unique unreality. What was it? I knew -- the moon's picture of a town. These streets with their houses did not exist, they were but a ludicrous projection of the moon's sumptuous personality. This was a city of Pretend, created by the hypnotism of moonnight. -- Yet when I examined the moon she too seemed but a painting of a moon and the sky in which she lived a fragile echo of color. If I blew hard the whole shy mechanism would collapse gently with a neat soundless crash. I must not, or lose all.
The voice of the nickly reflection of the moon was not as deep as you might expect. It was a singer’s voice, though, a tenor, one that loved itself without reservation. “I feel time like you dream. Your dreams are jumbled. You can’t remember the order of your dreams, and when you recall them, the memories bend. Faces change. It’s all in puddles and ripples. That’s what time is for me.
The leaves fall patiently Nothing remembers or grieves The river takes to the sea The yellow drift of leaves.
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