A Quote by Bob Dylan
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How many roads must a man walk down Before your can call him a man? . . . The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind.
How many times must a man look up Before he can see the sky? Yes, 'n' how many ears must one man have Before he can hear people cry? Yes, 'n' how many deaths will it take till he knows That too many people have died? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind.
Sometimes an answer not yet blowin' in the wind is stirring in the breeze.
You can hear the seven sins Blowin' through the ghetto wind.
Purple haze all in my eyes, don't know if it's day or night. You got me blowin', blowin' my mind. Is it tomorrow or just the end of time?
Dylan captured what was on a million minds and turned it into poetry. With 'Blowin' in the Wind' or 'The Times They Are A-Changin',' he set a whole new standard.
I suspect many readers might associate [Bob Dylan] with one of the shortest phases of his career, the time from 1963 to '65 when he wrote his most famous "protest songs," like "Blowin' in the Wind" and "The Times They Are a-Changin.'"
I've always looked at famous actors and hope that once they get a part that they have success in, they would reprise it every few years in the way a pop singer will reprise their hits. Like Bob Dylan singing 'Blowin' in the Wind' until he's fed up with it, finding different ways of doing it.
But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.
I went to visit a friend of mine, a writer name Troy Seal, a songwriting fool. He's had a ton of hits. He said, "I've got a thing I'm stuck on." ?I can hear the wind a blowin' - he already had that. You and me lord, we had it all. ?He only had that first verse. For some reason he was stuck. But that's how that came about.
Bob Dylan's 'Blowin' In the Wind' was written into the script of 'Article 15.' It was the only song I wanted in my film. It encapsulates the spirit of exploration and salvation that my hero Ayushmann Khurrana goes through. I love the song's lyrics, especially 'How many roads must a man walk down before you call him a man? '
For there is a wind or a ghost of wind in all books echoing the life there, a high wind that fills the tubes of the ear until we think we hear a wind, actual.
The same wind blows on us all. The economic wind, the social wind, the political wind. The same wind blows on everybody. The difference in where you arrive in one year, three years, five years, the difference in arrival is not the blowing of the wind but the set of the sail.
If you are building a thirty-story building and you use worm-eaten wood for the frame, inferior structural supports, and other fourth-rate, low-grade materials, what kind of finished product do you think you will wind up with? No need to answer. So if you're building a human body and the material that will become your blood, bones, skin, organs-indeed, every cell of your body-is inferior and of poor quality, what kind of body do you think you will wind up with? No need to answer.
We came in the wind of the carnival. A wind of change, or promises. The merry wind, the magical wind, making March hares of everyone, tumbling blossoms and coat-tails and hats; rushing towards summer in a frenzy of exuberance.
My love is like the wind and wild is the wind. Give me more than one caress, satisfy my hungriness. Let the wind blow through your heart for wild is the wind.
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