A Quote by Bob Dylan

As I stepped to the stage to pick up my degree, and the locusts sang off in the distance. — © Bob Dylan
As I stepped to the stage to pick up my degree, and the locusts sang off in the distance.
Timbaland was crazy to work with. When he stepped in the studio, it was like working with Morpheus from 'The Matrix' - he stepped in with three beats and said, 'Pick one.' They all sounded crazy, but I could only pick one. I picked one and he hooked me up.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
One day, when I was still living at home, a friend told 'Texas' Jean Valli about me. She was originally from Syracuse, N.Y., and lived in New Jersey but sang country. One night, she had me come up on stage where she was performing. I sang 'My Mother's Eyes,' and she was knocked out.
I'm now wearing suits on stage, so I've kinda stepped up my game as far as image. Which I have to admit is kind of a pain the butt, but it's fun. It gives you a certain amount of confidence to walk on stage and look nice, but I can't say that I'm totally buying into the whole image factor.
I grew up in the theater. I began my career at 3. That was the first time I stepped onto a provisional stage.
I sang 'All Of Me' at the wedding. I sang 'Stay With You' from my first album. And then Stevie Wonder came up and sang 'Ribbon In the Sky.' It was impromptu... It was cool... He's always been a friend and a mentor to me.
You have to treat every hour of television you're given like a $100 million movie, and with 'A.D.,' we stepped it up even a stage further.
On stage, there are hundreds of people watching you. It's so much energy directed at you. I pick up energy really easily. Even if I go to the grocery store and no one is paying attention to me, I can pick up other people's moods and it's really intense.
There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.
My wife looks at the person Park Jae Sang and the singer who goes up on stage, Psy, as different people.
I studied and sang lot of jazz when I was growing up. I think that plays a little bit into some of the things I do vocally, notes that I pick in chords.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
I'll never forget the time my mother showed up with her best friend and two daughters, and all four of us dressed up in matching clothes, shoes and hats to go pick up my brother from school. I thought it was a fun thing to do, but we stepped outside my brother's school and he was mortified!
Now I can stand up on the stage again like I used to after five years of sitting down while I sang.
In most specials, the performer's up - not only not surrounded, but up on a stage - and there's a distance between them and the audience, and I think my comedy doesn't work as well in that way.
Sometimes when I pick up a book off the shelf, when I'm buying a new book to read, I'll look at all of them and they all have the exact same words inside, but I'll think that one is meant to go home with me. I'll never pick the first thing off the shelf, I'll always go one behind.
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