A Quote by Bob Dylan
If you wanted to, it would be easy to find some crappy lyrics [of Bob Dylan] from the Eighties to undermine the Nobel Prize.
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I think Bob Dylan showed us that songs can rise to the level of literature, and he proved it over and over again. That's why they keep trying to get him a Nobel Prize for literature: because there is no Nobel Prize for songwriting.
[Bob Dylan] is a worthy laureate for the Nobel Prize.
I think we need to sort of broaden our definition of poetry, which maybe it's a good thing that they just gave this Nobel Prize to [Bob] Dylan because blurring the lines of song lyrics and also hip-hop for me is like some of the greatest uses - most innovative uses of language in my lifetime.
[Bob Dylan] builds his lyrics, of course, from personal experience, but it's also a literary work. He draws heavily on his knowledge of American lyric tradition as well as European modernism. But he should let the Nobel Prize Committee know if he is accepting it or not.
I have seen quite a few folk whom I know to be both fair minded and, as it happens,[Bob] Dylan fans, take up cudgels for this position. To them, it's not necessarily that Dylan doesn't merit the highest honour. It's that he doesn't merit this specific highest honour [Nobel prize], in the way a champion pole vaulter shouldn't be given a medal for the long jump. It is in this group that the Wahey!s are mainly to be found, firing off jests, or mock solemnly reciting Dylan's sillier lyrics as if these are entirely representative of his oeuvre.
[ Bob Dylan] should let the Nobel Prize Committee know if he is accepting it or not. He will not be the first one who declines the prize for political or personal reasons. He should just tell them.
The Yeas are relatively uniform. They view [Bob] Dylan as one of the greatest artists of his or any era, who deserves to be taken as seriously as any litterateur. Where they vary is in some cases not even accepting the distinction: Dylan in their eyes is a literary titan, and the award of the Nobel Prize for Literature is simply official affirmation of what they already knew.
[Bob] Dylan thus deserves the Nobel Prize, not just for "new poetic expressions within the great American song tradition," as the Nobel committee aptly described his work, but also for embodying the contradictions within it.
There's no reason - not yet, anyway - to believe [Bob] Dylan himself endorses such an attitude; or that he would think of himself as a more profound and worthy recipient than, for instance, any of the brilliant Motown or girl-group lyricists who are more likely to be awarded a Nobel prize for chemistry than for literature. Whether there is more truth and humanity in his best lyrics than in Abba's, or less, is unquantifiable, and it would be meretricious to attempt such a calculation in contesting an argument he has been dragged into.
The [Nobel] prize is for literature.[Bob] Dylan is a songwriter. Here is where the argument starts to get interesting, because here is where it is no longer a question of either cultural orthodoxy or personal taste.
[I have] my own view about [Bob] Dylan's Nobel prize. Which is, I'm firmly in the Nay camp. I do think the award is a category error, but that's not why. Not in itself. What bothers me is the perceived status of the categories. If pop lyricists were routinely considered for the prize as are authors and poets, I'd still think it mistaken, but I wouldn't much care. But I am quite certain that Joni Mitchell and Leonard Cohen, for example, both at the very least Dylan's equals as writers, have never been in the running and never will be.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
I won't comment on what Bob Dylan said, but I will comment on his receiving the Nobel Prize, which to me is like pinning a medal on Mount Everest for being the highest mountain.
Just to put that in some context, 1954 was the same year that From Here to Eternity won an Oscar. Swanson's manufactured its first TV dinner. The Army-McCarthy hearings were televised. The term "under God" was inserted into the "Pledge of Allegiance." Steve Allen's Tonight Show premiered. Ernest Hemingway won the Nobel Prize for Literature. And Bob Dylan was bar mitzvahed.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
I'm not sure whether I could win a Nobel Prize or not, but the Nobel Committee called me, and, 'You got the Nobel Prize.' So, I was so, so happy, and I was so surprised.
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