Radio makes it appear like you can get some sounds in a laptop and be the next dude. Those careers don't really last.
My radio's loud like a fire alarm:
The floor vibrates, the walls cave in,
The bass makes my eardrums seem thin.
Def sounds in my ride, yes the front and back...
You would think it was a party, not a Cadillac!
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
I couldn't tell you what the standing is in radio, I'm in the streaming world. I'm in the podcasting world. Radio just sounds archaic almost. It's a never-ending battle. I'm so glad I'm retired so I don't have to see the nonsense.
As hideous and dumb as it sounds, I wouldn't be at all surprised by an invasion of Iraq on September II. I'll take a long shot bet on that.
True religion should be able to respond to the dark melodies, the faulty and hideous sounds that echo from the heart of men.
Most bands play one style of song. If you listen to Metallica it all sounds exactly like Metallica, and if you listen to Black Sabbath it all sounds like Black Sabbath. I like AC/DC a lot but you can pick those sounds out on the radio in a heartbeat because they all have certain things in common.
I think one of the reasons that I got so good at it, as somebody making radio stories, is that on the radio I can actually - I can understand what's happening in the interview and can make a connection in a way that makes sense.
I work a lot with sounds based on stream of consciousness. I like the way it sounds, then I turn it into something that makes more sense.
Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
War was a hellish, horrible hideous thing - too horrible and hideous to happen in the twentieth century between civilised nations.
I'm ashamed to say, I've done hideous pen portraits of people I don't like in my novels. And they'll say, 'Oh, that person was hideous,' and I'm nodding, and I'm thinking, 'It's you, you fool!'
God transforms, so to speak, this air into words, into various sounds. He makes you understand these various sounds through the modifications by which you are affected.
The fact that radio is so hopeless at delivering data makes it an uncluttered medium, offering the basic story without the detailed trappings. But it does mean that if data is important, radio is probably not your place.
The Ultimate Rule ought to be: 'If it sounds GOOD to you, it's bitchin'; if it sounds BAD to YOU, it's shitty. The more your musical experience, the easier it is to define for yourself what you like and what you don't like. American radio listeners, raised on a diet of _____ (fill in the blank), have experienced a musical universe so small they cannot begin to know what they like.