A Quote by Bob Dylan
Some formulas are too complex and I don't want anything to do with them.
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Michael Lewis has the amazing ability to take complex formulas and concepts and turn them into page-turners.
If you want to liberate someone, love them.Not be in love with them - that's dangerous. If you're in love with your children, you're in their lives all the time. Leave them alone! Let them grow and make some mistakes. Tell them, "You can come home. My arms are here - and my mouth is too." When you really love them, you don't want to possess them. You don't say, "I love you and I want you here with me."
I got a dog with a Napoleon complex. I have a Napoleon complex. We're small. Anything big that we feel is threatening us, we want to fight. We're not a pushover.
I distrust all dead and mechanical formulas for expressing anything connected with human affairs and human personalities. Putting human affairs in exact formulas shows in itself a lack of the sense of humor and therefore a lack of wisdom.
Dear God," said Nudge under her breath, "I want real parents. But I want them to want me too. I want them to love me. I already love them. Please see what you can do. Thanks very much. Love, Nudge." Okay, so I'm not saying we were pros at this or anything. (Max thoughts)
Whenever society gets too stifling and the rules too complex, there's some sort of musical explosion.
There can be no formula in arts. Formulas are for factory mass productions. There are no discoveries in already discovered formulas.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.
I always tell people, "There's a book on everyone." I get some of that book before I do anything. If I want to deeply understand someone's reputation, I'll talk to their friends, their former bosses, their peers, and I'll learn a lot about them. I want them to be trusted. I want them to be respected. I want them to give a s - -. Then there are the intangibles: physical and emotional stamina, the ability to confront issues. I can ask all I want about those things, but I also have to see a lot of it.
I guess for major film industry players a film is a money making devise, so using formulas assures them that their investment will have returns. A lot of big studio films are created by formulas and committees, stripping away any individuality or personality from the work so that they could appeal to most everyone on there planet but to no one in particular.
I'm always up and down with Jordan's. I try to not wear them too much. They're the type of shoe that, if you want it, if you don't want to get them too dirty, you don't use them too much.
The politicians, who once stated that war was too complex to be left to the generals, now act as though peace were too complex to be left to themselves.
It's baseball. You don't think a general manager can manage? Like it's impossible? The game is too complex? I've never bought into that, 'Baseball's just too complex.' Really? A third of the sport is from the Dominican Republic.
Quinn's First Law of Investing is never to buy anything whose price you can't follow in the newspapers. An investment without a public marketplace attracts the fabulists the way picnics attract ants. Stock brokers and financial planners can tell you anything they want, because no one really knows what's true. The First Corollary to Quinn's First Law states that, even when the price is in the newspapers, you shouldn't buy anything too complex to explain to the average 12-year-old.
You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book ? if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them.
The biggest hits - be they Coca-Cola or Doritos - owe their success to complex formulas that pique the taste buds enough to be alluring but don't have a distinct, overriding single flavor that tells the brain to stop eating.
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