A Quote by Bob Edwards

With radio, the listener absorbs everything. — © Bob Edwards
With radio, the listener absorbs everything.
The absolute key difference between television and radio is the ability of radio to communicate. With television you can watch the screen and your mind can be anywhere. On radio it requires a certain amount of discipline from the listener to follow what's being said.
I can't live without Radio 4. It's worth the entire licence fee. I'm an obsessive listener; I get up, and Radio 4 goes on, but it goes off when 'Thought for the Day' starts, as that's a step too far.
I'm not a big radio listener.
The composer must bear in mind that the radio listener does not hear music directly. He hears it only after the sound has passed through a microphone, amplifiers, transmission lines, radio transmitter, receiving set, and, finally, the loud speaker apparatus itself.
When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
PM Modi believes in detailed planning through extensive consultation. He is an example as a listener - no interruptions, no urgent phone calls, no distractions; he absorbs every input. He doesn't hesitate to say he needs more inputs, another round of briefing, or more time to mull over.
Whether a listener absorbs this music or rebels against it is at least partly a matter of how the performers put it across. It would be hard to imagine an ensemble playing it with greater virtuosity than the JACK Quartet, which seemed not merely earnest but also completely comfortable with, and passionate about, the strange sound worlds at hand.
I have this ideal listener, as John Cage did. This listener doesn't bring expectations that my music will fit into some part of music history, or that it will do any particular thing. This listener is just open to listening.
The average commercial radio listener in America is not looking for lofty, intellectual subjects. This isn't brain surgery. It's about striking the passion of the people.
Because I don't do stand-up, radio has always been my equivalent, a place to stay in connection with the public and force myself to write every week and come up with new characters. Plus it's a medium that – having grown up with it and putting myself to sleep with a radio under my pillow [as a kid] – I love. No matter what picture you want to create in the listener's mind, a few minutes of work gets it done.
Radio was so important to everybody back then; there was no TV. Columbia Square was the epitome of radio. Everything was modern. It was beautiful.
Black absorbs all color, accepts them, takes them into it and let them define it. Gray isn't anything but itself. It absorbs nothing but itself.
I'm very thankful, hearing impairment or not, that I've brought listening into my life. I will never say that I'm a good listener, however. Thinking that I was a good listener was one thing that kept me from being a good listener. It's a very dangerous thought. I just want to be better.
Radio affects most intimately, person-to-person, offering a world of unspoken communication between writer-speaker and the listener.
The best genius is that which absorbs and assimilates everything without doing the least violence to its fundamental destiny.
I think radio plays are my favourite medium, as they make the listener work and create and contribute in a way that TV and film can never do, and they have an immediacy that written prose often lacks.
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