A Quote by Bob Fosse

In today's world, everything seems like some sort of long audition. — © Bob Fosse
In today's world, everything seems like some sort of long audition.
It seems extraordinary to have waited so long into one's life to have found the part that actually uses your basic rhythm. And I think that's always sort of what actors connect up with - their own sort of world.
Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.
Everything that we eat today has been improved through some sort of breeding process. Anytime you do this, you introduce not only the genes that you know, but some that are not characterized.
To write long pieces - or not even long pieces - to write stuff like the columns of Red Smith and people like that - they're different then what it is today. Everything today is based on x's and o's. Inside baseball, it's all, 'Who's gonna win?' or you're comparing things - it's not as thoughtful as it used to be.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
In films, I didn't crave the type of attention I had sort of stumbled into in my music career. And I do not audition well. I'm really not good at it. Early on, I did movies like 'Alpha Dog' and 'Black Snake Moan' because the directors didn't ask me to audition.
When you look at sort of pop stardom now, some of these singers, it seems like the idea of them was created in a marketing meeting, and then they just found someone to sort of fulfill that role.
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
I'm afraid of everything. But maybe when you're afraid of everything, it sort of seems like you're scared of nothing.
My agent wanted me to audition for Dumbledore's character after Richard Harris died. I was asked if I would like to audition for it. But I wouldn't audition for it.
It seems like every new corner we turn, the Rockefellers are already there. And in some cases, they have been there for a long, long time.
Almost everything I say, no matter how innocent my intentions are, seems to get sort of manipulated and sensationalized and turned into some ridiculous news story.
I feel like I've been around for such a long time, as a writer and as an artist, that I need to sort of speak to the way that my perception of the world has sort of changed.
The simple answer is I'd just be a guy trying to feed my family, like everybody else. The complicated answer is, I think I'd be in some sort of military or government world of some sort.
It's just different today. Nobody seems to last too long these days. I wouldn't know how to get started today.
I was trained as a neurologist, and then I went into the theater, and if you're brought up to think of yourself as a biological scientist of some sort, pretty well everything else seems frivolous by comparison.
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