A Quote by Bob Fosse

I'm still ambivalent about Hollywood. I think that's why I made 'Star 80.' To deal with the ambivalence. I really wanted to succeed Gene Kelly, and I thought it was a fair bet.
He [Gene Kelly] once told me dancing was a man's game, as much of a sport as baseball itself. And he made us believe that. He changed our minds and suddenly, all of America wanted to dance just like Gene Kelly.
I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
I still can't believe I danced with Gene Kelly. How lucky am I that I've been in movies where I've danced with two of the greatest dancers of all time - with Gene Kelly and John Travolta.
I wanted to be Gene Kelly. Well really, I just wanted to dance with Cyd Charisse.
It was mostly an aura about him (Gene Kelly). For me he was Hollywood. The way I'd imagined it as a child.
Patrick Swayze reminded me a lot of Gene Kelly. Patrick had that Everyman quality. Gene made dancing sort of an accessible idea for the regular guy out there.
I've really thought a lot about why other companies fail or succeed. I had to be a student of failure and find out why things went off the rails. I did that at a fairly deep level, and it's still something I do.
Astaire was ballroom, basically, and Gene Kelly had such athleticism - that's always what I responded to and what just blew my head open when I watched Gene Kelly's numbers. But, Fred Astaire was just so incredibly inventive and so, so smooth - so smooth.
I think it's still difficult to write about motherhood and anxiety, that talking about not wanting to be a mother or feeling ambivalent about motherhood makes people uneasy. The ambivalent mother is certainly much more interesting.
I spent an entire evening seated between Fred Astaire and Gene Kelly, being charmed from either side. It was pure Hollywood magic.
I used to go over to Gene Kelly's house and play volleyball, and Paul Newman and Marlon Brando were always there. You kind of took it for granted because I was 20, 21, 22, and they were a bit older - well, Gene certainly was. But it was just part of daily living. They were in the same profession, and you didn't think that much about it.
My father did think I should get interested in television. But I had very little interest in television and it wasn't something I wanted to do. I really never thought about going to work on big feature films in Hollywood. But when we made The Householder, Columbia Pictures bought it. Who would have ever imagined?
I think it's fair to say that Donald Trump was born without the embarrassment gene or the moral reservation gene.
I'm really influenced by Fred Astaire and Gene Kelly.
When I was a little girl, I wanted to be a rock star. I wanted to be Steven Tyler. It was really strange, but as a little girl you think anything is possible, and it is. I never even thought about being an actress.
My love stories are about people who are reluctant to actualize what they so desperately want. They are timid, cautious, but eventually they dare to speak. My characters are not only hesitant; they are ambivalent about which way their libido flows: toward men or women? They are fluid in their sexuality, and this ambivalence says more about how we think about sex today than, say, Tinder. And this is a truly modern idea: Most of us don't know who we are sexually.
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