A Quote by Bob Gaudio
The first thing people look at with Four Seasons records is the vocals. But for me, the drum fills and rhythms are as much a part of it as anything. They're the base on which the harmonies were built.
Related Quotes
I've been doing instrumental records now for a long time and built up this little fan base, which is worldwide, and it's incredible how big it's gotten. People really enjoy these records.
When we live without listening to the timing of things, when we live and work in twenty-four-hour shifts without rest – we are on war time, mobilized for battle. Yes, we are strong and capable people, we can work without stopping, faster and faster, electric lights making artificial day so the whole machine can labor without ceasing. But remember: No living thing lives like this. There are greater rhythms, seasons and hormonal cycles and sunsets and moonrises and great movements of seas and stars. We are part of the creation story, subject to all its laws and rhythms.
I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
I used to write three- and four-part harmonies for my YWCA club in high school. We used to win all the song contests. But people would say, 'Look who her father is. He probably did the whole thing.'
What we look for when we need to find someone who can fit in with our music, the vocals and the harmonies and the way they blend are very important to us because if you listen to Beach Boys music, the harmonies, not only are the notes being sung, but there's a blend to it. The voices have to blend.
A lot of people we tell the story to assume that the Four Horsemen of the Apocalypse were actually part of the original Washington Irving story, which only happens to be 17 pages. It's a great starting point, and then we built on it, very much in a logical progression.
My dad grew up in Pittsburgh in the '50s, and he used to sing Four Seasons songs on the stoop. He made me listen to Cousin Brucie - the guy who broke the Four Seasons on the radio. So I knew all of their songs, but I didn't know they were all by the same group.
For "Running Up That Hill" we had worked with a drum machine [in 1985]; the basic rhythms of "Running Up That Hill" happened because the whole track was built on a drum machine.
They had a year of joy, twelve months of the strange heaven which the salmon know on beds of river shingle, under the gin-clear water. For twenty-four years they were guilty, but this first year was the only one which seemed like happiness. Looking back on it, when they were old, they did not remember that in this year it had ever rained or frozen. The four seasons were coloured like the edge of a rose petal for them.
I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
Most people, from their second album on, find it much harder to be as spontaneously creative as they were with their first couple of records, and some people only have one thing that they do.
I didn't know much about the 'Walking Dead' until after I booked the gig, and then I watched the first four seasons. I binge watched them in two weeks, and at that moment I realised, 'Oh, this is a much bigger thing than I thought it was.'
I had four seasons with Brondby in Denmark and they were crucial, mentally. The first two seasons there, I score nine goals, then nine goals. Then we get a new coach, Alexander Zorniger. A German guy. The next two seasons, I score 20 then 17.
As my old professor Carl Sagan said so often, 'When you’re in love, you want to tell the world.’ And I base my beliefs on the information and the process that we call science. It fills me with joy to make discoveries every day of things I’ve never seen before. It fills me with joy to know that we can pursue these answers. It is an astonishing thing that we are — you and I are one of the ways the universe knows itself.
There's a radical insurgency, which is a large part of the Republican base, which is willing to do anything, destroy the country, whatever, in order to get rid of this Affordable Care Act. That's the one thing that they're able to hang onto.
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
Related Authors
Bob Marley Quotes
Jamaican
Singer
Britney Spears Quotes
American
Singer
Dolly Parton Quotes
American
Singer
Elvis Presley Quotes
American
Singer
Frank Zappa Quotes
American
Singer
Johnny Cash Quotes
American
Singer
Kurt Cobain Quotes
American
Singer
Lady Gaga Quotes
American
Singer
Marilyn Manson Quotes
American
Singer
Michael Jackson Quotes
American
Singer
Miley Cyrus Quotes
American
Singer
Neil Young Quotes
Canadian
Singer
Paul McCartney Quotes
English
Singer
Steven Morrissey Quotes
English
Singer
Taylor Swift Quotes
American
Singer
Ted Nugent Quotes
American
Singer