A Quote by Bob Geldof

I was really lucky that I came to puberty at a time when music and politics were completely intertwined — © Bob Geldof
I was really lucky that I came to puberty at a time when music and politics were completely intertwined
I was really lucky that I came to puberty at a time when music and politics were completely intertwined.
I've been really lucky to come up the time I did, to live in California when I did, and to be a part of the generation of players we were and the great coaching we got. All of it really came together.
To really love a person completely is to come to a point where your stories are intertwined.
When I was writing my autobiography, these songs came up from time to time which were important to me, and I realized that what they really represented was, they'd come from this age of shared music.
I'm more into human nature than politics. But they're intertwined. Obviously, I live in civilization, so politics are part of my life.
I was pretty lucky to get into Berklee at all. I never really had any theory or music-reading capabilities; I was completely by ear.
We came along at a time when people were really focused on music. We were part of the second generation of bands after all of those great 60's bands when rock was still in its' infancy.
I was really a big fan of Loveless. At [the time it came out], I made music that was not too far away from [what they were doing], but we were stuck in Austria. There was no way to get attention from the outside world. Maybe it's a generational thing.
There were aspects of stardom I didn't like, which were of no consequence, really, but the positive things far outweighed the negative. By the time I came to write 'Setting Sons,' I felt my writing was more like prose, set to music.
Music has never been at a better time then it is right now, we're really lucky to be a part of this wonderful thing called music.
I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.
For our first album, we were our own dressers. We didn't have no stylists. We came up with all of the ideas when it came to dressing. At that time, Cross Colours and Jabos were really popular, so we were able to get stuff from them, but we always added accessories.
You see the amount of bullying and negativity that goes on [social media] that is really, really intense, and I feel lucky that I came of age before all of that came on.
I appreciate it everyday. I'm like, 'I can't believe this is happening to me.' I'm so thankful. I feel really lucky and really blessed. I remind myself all the time, because it can go as quickly as it came.
To be very fair, it was Ian Marsh and Martyn Ware who started The Human League. They brought Philip Oakey in to sing, primarily because Philip was very tall. So it started out as their vision. I don't think anyone ever thought it would be as big as it became. Music evolves and people were looking for something different. We came out at the right time and were just very lucky.
Friends came on the road, came on tour, came in my music videos; I got in the studio with them. I'm a really loyal person, and I don't have a really large group of friends, but the people I hang out with I really, really care about, and they continue to be a part of my life.
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