A Quote by Bob Hope

I was lucky, you know, I always had a beautiful girl and the money was good. Although I would have done the whole thing over for, oh, perhaps half. — © Bob Hope
I was lucky, you know, I always had a beautiful girl and the money was good. Although I would have done the whole thing over for, oh, perhaps half.
Little Wing is like one of these beautiful girls that come around sometimes ... you play your gig; it's the same thing as the olden days, and these beautiful girls come around.. you do actually fall in love with them because that's the only love you can have. It's not always the physical thing of "Oh, there's one over there ...", it's not one of those scenes. They actually tell you something. They release different things inside themselves ... "Little Wing" was a very sweet girl that came around that gave me her whole life and more if I wanted it.
If I had the perspective of the whole, perhaps I'd see it? That which seems evil, is it a cloud to bring rain, to bring a greater good to the whole of the world? Who would ever know the greater graces of comfort and perseverance, mercy and forgiveness, patience and courage, if no shadows fell over a life?
We have co-opted seed funds. You know, Y Combinator, that was completely our money. We have secret handshakes with a whole bunch of people. Very dangerous, because word gets out that so-and-so's money is Sequoia's money, that would not be a good thing.
See, my children, a person who is in a state of sin is always sad. Whatever he does, he is weary and disgusted with every thing; while he who is at peace with God is always happy, always joyous. . . Oh, beautiful life! Oh, beautiful death!
I had started acting when I was 7, and I was always wrong. I would always get to the very end [of the audition], but I wasn't a perfect package of one thing. I wasn't a cliche, and it always worked against me. I wasn't pretty enough to play the popular girl, I wasn't mousy enough to be the mousy girl. Then there was a TV show that Toni Collette was starring in. And when a role to play a girl who was struggling with identity came, I thought: "Oh, this is what I was supposed to do. Everything's leading up to this moment." I was 18. I was like, "This is it." I didn't get it. And I was devastated.
I always said if a man would have done half the records that I've done, we would know about it. But we don't know all the records I've done for other artists.
In the end, therefore, money will be the one thing people will desire, which is moreover only representative, an abstraction. Nowadays a young man hardly envies anyone his gifts, his art, the love of a beautiful girl, or his fame; he only envies him his money. Give me money, he will say, and I am saved...He would die with nothing to reproach himself with, and under the impression that if only he had had the money he might really have lived and might even have achieved something great.
I had always known what I wanted, and that was beauty... in every form... a beautiful house, beautiful man, a beautiful life and image. I was ambitious to get the money which would attain all that for me.
My parents always told me I'm beautiful the way that I am and I never thought to myself that I needed to be skinny because there's a magazine out there that said, "Oh, size two", or, "Oh, this girl's beautiful because she's skinny".
My parents always told me I'm beautiful the way that I am, and I never thought to myself that I needed to be skinny because there's a magazine out there that said, 'Oh, size two,' or, 'Oh, this girl's beautiful because she's skinny.'
I had already played a lead on Broadway before I ever did a film. I had had three, four seasons of stock with good, fat parts, good supporting and leading parts. And I had done, oh, God, over 400 live TV shows.
Stagecoach is really my first Western-Western, the whole horses and gunplay. It was really fun. We shot it fast, too. We got lucky with the weather. If it rained, I don't know if we would have been able to finish it. We had like 12 shooting days for the whole thing.
Did it ever strike you that goodness is not merely a beautiful thing, but by far the most beautiful thing in the whole world? So that nothing is to be compared for value with goodness; that riches, honor, power, pleasure, learning, the whole world and all in it, are not worth having in comparison with being good; and the utterly best thing for a person is to be good, even though they were never to be rewarded for it.
...she had always known under her mind and now she confessed it: her agony had been, half of it, because one day he would say farewell to her, like that, with the inflexion of a verb. As, just occasionally, using the word 'we' - and perhaps without intention - he had let her know that he loved her.
I'll try anything, but the pig testicles in Taiwan were a little much. Eh, it wasn't half bad. There was this one dish I had there, the translation is, 'The Monk Jumps over the Fence.' It's a fish dish with all these spices. It was beautiful, man - it was poetry. It had a whole story.
(Human) beings, in Pagan times would kind of like, listen to the stories and, they could kind of, identify - . They were, like, bigger than them and more successful than them or more beautiful, but they had these human fallibilities. Which is like celebrities now. It's like, 'oh, she's in rehab. Oh, she's unfaithful. Oh, they're divorced. Oh, she's anorexic. Oh, he's had a nose job.' You know, whatever it might be.
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