A Quote by Bob Marley

I want to say 'I Shot The Police' but the government would have made a fuss so I said 'I Shot The Sheriff' insteadbut it's the same idea: justice. — © Bob Marley
I want to say 'I Shot The Police' but the government would have made a fuss so I said 'I Shot The Sheriff' insteadbut it's the same idea: justice.
Who shot you?" For a moment he looked annoyed. "I fail to see what that's got to do with anything. Reading assures me that anyone who's ever met me would have reason to shoot me, so I must admit with all candor that I have no idea. Was it you?" "If I'd shot you I wouldn't have missed," she said. "Was that wishful thinking or are you in fact a practiced shot?" "Desire would have made up for lack of expertise.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
The weird thing is, if I'd made 'The Incredibles,' shot-for-shot - exactly the same script, same timing, same shots - in live action, it would be perceived very differently, and somehow more adult than me doing it in animation. I find that fascinating and frustrating.
When I got shot I wasn't like 'yes' I got shot, now I can say that in my raps, when I got shot I said 'ouch'.
And when I say [M2 was] lo-fi production, it was so great and grimy. I was used to that world anyway, because we shot in bars, we shot in thrift shops, we shot on the street. And the bars, they would have just opened, and still there was barf on the floor and beer. We certainly kept it real. It was a small crew.
The philosophy I always have is what's the sentence that would tell me about each shot. If I can't read why the shot's there, what is the story trying to say?
Modern technology has taken the angst out of achieving the perfect shot. For me, the only thing that counts is the idea behind the image: what you want to see and what you're trying to say. The idea is crucial. You have to think of something you want to say and expand upon it.
Shirley's gonna be pissed," Gazarra said. "She hates when I get shot." To my recollection, the only other time Gazarra was shot was when he was playing quick draw in the police station elevator and his gun accidentally discharged. The bullet ricocheted off the elevator wall and lodged in Gazarra's right buttock.
Some day we're gonna have interactive television where you can pick the shot that you want. You can watch defense, or you can watch the end-zone shot, or you can watch an isolated shot of Terance Mathis or whoever you want to. Because right now, the only thing that you watch is what the producer or director decides to show you.
I shot the sheriff, but I didn't shoot no deputy.
I have been parts of some films in the South where I didn't expect certain shots to be shot in a certain way. I wasn't experienced enough; I was very naive. I didn't have the standing of an actor to say that I don't want to do this shot.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
A friend of ours said if the same laws were applied to U.S. Presidents as were applied to the Nazis after WWII, that every single one of them, every last rich white one of them, from Truman on would be hung to death and shot. And this current administration is no exception. They should be hung and tried and shot as war criminals.
L.A. is a long shot city, and those who make that shot - you can tell. You can see very clearly who's made it and who hasn't.
Get the kids to understand that they shouldn't worry about who makes the shot, only whether or not the shot is made
Anybody that shoots a hook shot, whatever hand, I jump up and cheer because it's the easiest shot, it's the best tweener shot.
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