A Quote by Bob Marshall
Any one who has stood upon a lofty summit and gazed over an inchoate tangle of deep canyons and cragged mountains, of sunlit lakelets and black expanses of forest, has become aware of a certain giddy sensation that there are no distances, no measures, simply unrelated matter rising and falling without any analogy to the banal geometry of breadth, thickness, and height.
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We're all like the little sailor. From the harbors we hear the strains of accordions and the murky soapy noises of the docks, from the mountains we receive the dish of silence that the shepherds eat, but we don't hear more than our own distances. And what distances without end and without doors and without mountains!
In describing today's accelerating changes, the media fire blips of unrelated information at us. Experts bury us under mountains of narrowly specialized monographs. Popular forecasters present lists of unrelated trends, without any model to show us their interconnections or the forces likely to reverse them. As a result, change itself comes to be seen as anarchic, even lunatic.
I don't have any choice any more. I am in a choiceless awareness. I don't have to be aware. I am simply aware. Now it is just like my heartbeat or like my breathing. Even if I try not to be aware, it is not possible; the very effort will make me more aware. Awareness is not a quality, a characteristic; it is your whole being. When you become aware, there is no choice left to be otherwise.
A poor life is lived by any one who doesn't regularly take time out to stand and gaze, or sit and listen, or touch, or smell, or brood, without any further end in mind, simply for the satisfaction gotten from what is gazed at, listened to, touched, smelled, or brooded upon.
A pool at the edge of the ocean is the simplest geometry, yet you feel connected to the sea. In a forest with the mountains in the background, you also feel the connection to nature, yet it's a very complex geometry. I think architecture is about controlling these feelings.
Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling... When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and with certain modifications, they may be, and they are, delightful, as we every day experience.
The Arab leadership, after so many years of Obama, they're positively giddy about the arrival of Donald Trump. And when they are giddy, like any other leaders, they might over step. And the danger, of course, is initiating a confrontation with Iran that the U.S. really doesn't want to be involved with at any given moment. They have enough to worry about on the North Korea file.
Bodies are real entities. Surfaces and lines are but fictitious entities. A surface without depth, a line without thickness, was never seen by any man; no; nor can any conception be seriously formed of its existence.
And if I should leave you, for any reason," he added, tightening his grip as she struggled to free her hand, "I will return to you. That is as certain as the sun rising tomorrow morning and the thunderbolt falling tomorrow night. That is as sure as the god's existence. I will come back to you, or I will find you - over and over again, as often as we are parted, until the end of the world itself.
... one of the main functions of an analogy or model is to suggest extensions of the theory by considering extensions of the analogy, since more is known about the analogy than is known about the subject matter of the theory itself ... A collection of observable concepts in a purely formal hypothesis suggesting no analogy with anything would consequently not suggest either any directions for its own development.
I was in the black silence of a medieval street, and blindly I followed its sharp turns, comforted by the height of its narrow tenements, which seemed at any moment capable of falling together, closing this alleyway under indifferent stars like a seam.
I don't do athletics for any other reason than achieving certain distances, certain titles and goals in my head.
My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.
Black Lives Matter has become what black communities all over the world have needed it to become. At times, it is a hashtag; at other moments, it is a declaration, a cry of rage, a sharing of light. It has become a movement that is international, worldwide in its scope of liberation for black and oppressed people everywhere.
I am as one
Who doth attempt some lofty mountain's height,
And having gained what to the upcast eye
The summit's point appear'd, astonished sees
Its cloudy top, majestic and enlarged,
Towering aloft, as distant as before.
You can wear black in any moment of the day, no matter your age. You can wear black with almost any occasion. A black dress is essential for every woman.
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