A Quote by Bob McDonnell

I think in Washington, D.C., a lot of people are talking down about business. — © Bob McDonnell
I think in Washington, D.C., a lot of people are talking down about business.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
Jeff Bezos buys the Washington Post. I think a lot of this is the PR value. Look at what we're doing here. We are talking about how Jeff Bezos cares about the poor. And for some people that's all you need.
Here is where you get into the danger zone, when the government official starts talking about U.S. government business and then also talking about what personal business favors they might want. And when the conversation goes down that road, it does risk crossing the line into solicitation of a bribe.
If I say 'political comedian,' then people think you're talking about you, the Senate and Congress, and what's going on in Washington D.C. If I say 'comedian,' people automatically assume that you're a comedian who talks about how his wife won't listen to him and that dummy down at the mechanic who wouldn't fix his car.
I always try and watch how business people think. I like to read a lot about business people. I'm not going to say I've got a great business mind, but I enjoy learning from the world of business.
My first album was mainly dealing with street issues, and it was 'coded': it was called 'Reasonable Doubt.' So the things I was talking about... I was talking about in slang, and it was something that people in the music business was not really privy to. They didn't understand totally what I was saying or what I was talking about.
My mom taught me a lot. A lot about minding your own business and leaving other people's business alone. And let them think what they want.
I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.
We talk a lot about infrastructure in cities, and it's talking about highways and it's talking about trains, but I think more important to people who are low income is, how do I get from here to there? How do I become part of the affluence that's surrounding me?
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
I think making a documentary gets you out and about more, with people. With stand-up, you're talking at people. With documentaries you're talking with people, and you're listening a lot more.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
Seeing people communicate about the band online has been amazing, but I think a lot of people spend a lot of time talking about what they hate rather than what they love. I don't want to get trapped in that.
The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.
But 'This Town' is official Washington. It's political Washington. It's not the Washington that clogs New York Avenue. It's not the Washington that lives in Gaithersburg. It's not the Washington that accounts for most of the population. 'This Town' refers to the people who think they run your country.
The only thing that really bugs me about television's coverage is those damn women they have down on the sidelines who don't know what the hell they're talking about. I mean, I'm not a sexist person, but a woman has no business being down there trying to make some comment about a football game.
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