A Quote by Bob Monkhouse

I got my start in silent radio. — © Bob Monkhouse
I got my start in silent radio.

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I was invited to L.A. when I was 16 for a weekend-long songwriting session by a writer I had met through my voice teacher in Pittsburgh. My first hit, 'Hide Away,' was one of the songs written during those sessions. It was played for a radio rep who then started a new label; the song got a pretty organic start at radio and then took off.
Though I work in broadcasting and host a daily radio show, I got my start in print journalism.
I start the day with either Radio 3 or Radio 4. I don't watch any daytime television at all.
You gotta start somewhere. It is what it is. People listen to Soundcloud more than the radio. So why would you put your music on the radio first?
Radio people can't entirely shake off radio habits when they start doing podcasts. They sometimes bring with them things we don't need, like producers and explanatory voiceovers.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
Radio continues to be the very best advertising music performers have. No one who ever grabbed a Grammy got there without radio.
I've got about 27 gigs right now. I've got radio, I've got television, I've got The Washington Post.
I think that there is eventually going to transition in to a way where - I think cable is eventually going to go the same way as just regular radio. Where people still listen to it, it still exists, but for the most part, they've got MP3, they've got satellite radio, they've got Pandora.
My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.
My input for the first 16, 17 years of my life was AM radio, FM radio - pretty mainstream stuff. Rolling Stone was probably as edgy as it got.
I think television will do the same thing to radio that talkies did to silent movies.
I think one of the reasons that I got so good at it, as somebody making radio stories, is that on the radio I can actually - I can understand what's happening in the interview and can make a connection in a way that makes sense.
If I had five million pounds I'd start a radio station because something needs to be done. It would be nice to turn on the radio and hear something that didn't make you feel like smashing up the kitchen and strangling the cat.
LADY STUTFIELD I adore silent men. MRS ALLONBY Oh, Ernest isn't silent. He talks the whole time. But he has got no conversation. What he talks about I don't know. I haven't listened to him for years.
Is there anything on earth which would have meaning and would even change the course of events not only on earth, but in other worlds?” I asked my teacher. “There is,” my teacher answered me. “Well, what is it?” I asked. “It’s...” began my teacher and suddenly fell silent. I stood and waited intently for his answer. But he was silent. And I stood and was silent. And he was silent. And I stood, silent. And he was silent. We’re both standing and silent. Ho-la-la! We’re both standing and silent. Ho-le-le! Yes, yes, we’re both standing and silent! 16-17 July 1937
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