A Quote by Bob Morley
People have a tendency to do that - to go the polar opposite of what they've done before if they've felt like they've done something wrong.
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A lot of people have difficulty wrapping their heads around what VR is good for. And the direction people go first is wrong. The wrong place is always: How can we do something we've done before, but on this?
Before we snap to judge someone who's done a horrible crime, is it possible that all of us in the worst possible circumstances could be capable of something like that? So it's about not judging people before really considering what the circumstance was and that not all murderers are created equal. We have a tendency in our society to just say murder? Cut and dried. Go away forever. Or maybe you should have the electric chair yourself.
I've done a nude scene and I felt it was appropriate to the storyline and I thought it was done in a respectful way and I felt comfortable doing it. But there are obviously going to be scenarios - not necessarily in this job, but in other jobs to come - where the question will be posed to me 'Will I want to do nude scenes?' and I would have to consider that as its own thing. And not just something to say yes to because I have done so before. It really is circumstantial.
What matters is that in this Iraq campaign that we clarify the different points of view. And there are a lot of people in the Democratic Party who believe that the best course of action is to leave Iraq before the job is done. Period. And they're wrong. And the American people have got to understand the consequence of leaving Iraq before the job is done. We're not going to leave Iraq before the job is done and we'll complete the mission in Iraq.
I remember yelling at my mother one time, horribly. I was in tenth grade or something like that, and I hadn't done something, and she misunderstood because my stepfather told her something that was wrong that I hadn't done.
I actually prefer getting into roles that are the polar opposite of me; that's why I've done so many dark and dreary things.
I'm definitely in a place where I'm looking for different than what I've done in the past, just so I can go to work and do something I haven't done before.
Russian people really don't like it when somebody does horrible things in Russia, and then can calmly go travel to another country and spend time there. And this is what needs to be done: the Russian people need to be told this, because in today's world, just doing something is not enough. You've got to tell about it, too. If you've done something and haven't told about it, it's as good as if you hadn't done it at all.
When I was a kid, brown rice felt like punishment. Like the ever-increasing amount of whole wheat flour that would appear in my mom's pancakes and waffles, brown rice with dinner felt like we had done something really wrong.
Everything I know and I am and I have seen felt done past present past now then before now seen felt done hurt felt focus into a something beyond words beyond beyond beyond and it speaks now and it says. Stay. Fight. Live. Take it.
With something like 'Second Sun' it was something I'd never really done before. It has no drums and I think that was the first time I'd done this sort of instrumental, bass-less kind of piece.
But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
I've done experimental work, I've done real conventional documentaries that were very successful, like Las Madres that was nominated for an Academy Award. And, from that moment on I felt like, "Okay, I can make that. Now where am I going to go?"
After the novel was published, I came to feel that I couldn't call myself Orthodox anymore. It's so patriarchal, anti-women, anti-gay. There was something about writing 'Disobedience'... it felt like I had put it all in the book. I had done my best by it, recorded what it meant for me. I felt I was done.
I do like a variety of things so I'm always interested in finding something that I haven't done before, if possible, to whatever degree that sometimes changes, and how much is something now that I wouldn't have a year ago but sort of based on what I've done recently as well.
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