A Quote by Bob Morley

I appreciate that I have lots of fans out there, and they want to wish me well, but I don't want that to influence how I feel throughout the day or how I act within a scene.
I want to let fans know how much I appreciate them and how much I appreciate them showing interest in our music and me personally.
It just gets draining on a person being in the papers every day. So I was like, I'm gonna come back here. I want to talk to all the people, the fans. I want to let them know how much I appreciate all their support.
Another mistake a director can make is not to be prepared, so you get there on the day to shoot the scene, and they don't know how it should be blocked, and they're not clear on how they want to do a scene.
I appreciate how central religion is in the lives other people, but it has never resonated with me. I imagine this is how lots of people feel about things I love, like rap music or, it turns out, sports.
I wanted to convey the message of how I do what I want and how I run my own business, and I'm a woman in charge. I want all of my fans to know that that's possible and feel empowered when they listen to my music.
I tried to be a better person for her– but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. […] You have no clue how beautiful you are or how brightly you shine.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
I really want to do a book on the history of the no-wave music scene in New York, how it extended out and formed lots of other things. It was such a great visual culture.
As the most romantic day of the year approaches, and as a brand that is uniquely male, we wanted to find out how men really feel about Valentines Day, and how they want to celebrate it. The Johnnie Walker Blue Label Luxury Survey tells us what gifts men really want versus what gifts women think men want for Valentine's Day - and the reality is that we're not as far apart as we like to think.
It’s amazing how lonely you can feel and like nobody understands…The moment you are vulnerable, someone always reaches out….They go through the same things. I want them to feel comfortable knowing that I have flaws as wells. I want them to know those flaws. I’m afraid of the pedestal…I want to be a peer to my fans
I say to myself, 'I don't know how to act - and why does anybody want to look at me on-screen anymore?' ... Lots of actors feel that way. What gives you strength is also your weakness - your raging insecurity.
I want you to hear how I can tell stories. I want you to hear how I can make these records about these females and make them feel every way I can. I want you to feel my magic. I want you to respect me and my artistry.
I feel the car, but I think with me and my background of dirt racing and stuff and not having pit stops, you just kind of 'All right, this is how my car is handling, I've got to figure out how to drive it' and then you get a feel of how you want it to feel.
I don't put any pressure on myself in terms of what people or fans do or don't want. It really just doesn't occur to me. I honestly just want to make the films I want to see as a fan. The film will survive or fail in my mind by how much I like it. Having said that, everyone wants their films to do well and to be well-received.
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
I want you to tell me how bad I suck and how I'm going to get knocked out and how I've been lucky my whole career. That's fine. All day.
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