A Quote by Bob Newhart

I don't have a show anymore. I don't have a check coming in every week. This is important to me, I got to score a million tonight or it could all be over. — © Bob Newhart
I don't have a show anymore. I don't have a check coming in every week. This is important to me, I got to score a million tonight or it could all be over.
Joss Whedon said to me, 'If you think you are taking over the show, you have got another think coming.' He said, 'You are here only because I don't want to kill a villain off every week. I want my villains to be more interesting and multifaceted and then die.'
My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?
When I was eight or nine years old, I saw the TV version of 47 Ronin, played by Toshiro Mifune. He played Oishi. That was my first experience. I watched every week with my brother. "Who plays Oishi tonight? Who will play Kira tonight?" And we fought every week.
It used to be that if you got on 'The Tonight Show,' your career was made. Now, if you're on 'The Tonight Show,' maybe 14 more people show up to your gig in Tulsa.
Being on daytime TV has its benefits. You can still have a life and you know you have a check coming every week.
I didn't have to win, and winning wasn't important to me. Being world champion wasn't important to me. What was important to me was entertaining the audience, and whether that meant winning, losing, singing, or whatever it was on the live show we were doing every week, which was awesome, I was game for it.
My whole family is in orthotics and prosthetics, so I grew up having to check for scoliosis every week. 'Come over. Let me feel your spine.
My whole family is in orthotics and prosthetics, so I grew up having to check for scoliosis every week. 'Come over. Let me feel your spine.'
You can make a feature that makes millions but only so many people see it. With a hit TV show, every week you'll have 16 million - 20 million people watching you.
My radio show is actually the conclusion to my week. Which means there'll be 20% of what's happened to me during those five days, on my show. If I don't do my radio show I actually feel lost! It's like the bookends - the beginning and the end of the week and the whole thing comes together. So for me it is important.
In coming to New York, I got my first Broadway show six months after I got here. So that song, 'Movin' Too Fast,' means so much to me, knowing that feeling where it's just where you imagined yourself, but it's flying by you at a million miles an hour.
I've never crossed over to be a big star. I'd like to be in a big $100 million movie, though. 'Cause I was in an 'Austin Powers,' I think I had two lines, and every once in a while, I get a check, a really nice check, for that movie.
At network television you could make a show like Freaks and Geeks, and even though 7 million people watch is every week, you were considered a terrible failure, and they got rid of you and staff. Now ... It's like a world where the replacements are the biggest fans in the world. It's, the Elvis Costellos of television are the winners. Creativity is king and it's very very exciting.
What a shock that a guy who makes $2 million a week behaves exactly like I would with $2 million a week. As far as I’m concerned, if you make $2 million a week and you don’t have a hooker in your hotel room, you’re creepy and I don’t trust you. And I don’t do drugs at all, so for me it would just be more prostitutes. That’s how they would find me. I would be dead on the floor, flattened by a pile of prostitutes. I’d look like a cat in a hoarders’ house.
I have some very special guests tonight, and I would like to give a big welcome to the Wayne State men and women's rugby team for coming to the game tonight and to be on my TV Show
And check this out: If every American had one meat-free day per week, it would be the same as taking eight million cars off American roads in a year.
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