A Quote by Bob Newhart

A collison is what happens when two motorists go after the same pedestrian. — © Bob Newhart
A collison is what happens when two motorists go after the same pedestrian.
There are only two types of motorists: the idiots who drive slower than me, and the lunatics who go faster.
In Copenhagen, there's a long-term commitment to creating a well-functioning pedestrian city where all forms of movement - pedestrian, bicycles, cars, public transportation - are accommodated with equal priority.
Something happens when two people from the same country, sharing the same heritage, meet and connect.
When it comes to religion, we're not two sides of the same coin, and you don't get to put your unreason up on the same shelf with my reason. Your stuff has to go over there, on the shelf with Zeus and Thor and the Kraken, with the stuff that is not evidence-based, stuff that religious people never change their mind about, no matter what happens.
I met a girl, and two months after we met I wrote 'Nevermind.' And 'Never Go Back' is actually a song I wrote two or three days after the breakup, after a year and a half. Straight continuation of the story.
Daytona is a restrictor-plate race and, unlike Daytona, guys can't get in a line at Phoenix and go to the front. Daytona and Talladega (Ala.) have always just been two different forms of racing. With the draft being so important at those two tracks, it's more of a team deal than an individual deal. What happens at Phoenix and the races after that has to be done on your own. You can't help each other at Phoenix. You just have to go race.
As I work day after day, inspirations from different places go into the work. It's combination, but it's also comparative. I'll be reading two books at the same time that are totally different [and] then have two stories mix together.
'Conservation' (the conservation law) means this ... that there is a number, which you can calculate, at one moment-and as nature undergoes its multitude of changes, this number doesn't change. That is, if you calculate again, this quantity, it'll be the same as it was before. An example is the conservation of energy: there's a quantity that you can calculate according to a certain rule, and it comes out the same answer after, no matter what happens, happens.
Las Vegas suggests that the thirst for places, for cities and gardens and wilderness, is unslaked, that people will still seek out the experience of wandering about in the open air to examine the architecture, the spectacles, and the stuff for sale, will still hanker after surprises and strangers. That the city as a whole is one of the most pedestrian-unfriendly places in the world suggests something of the problems to be faced, but that its attraction is a pedestrian oasis suggests the possibility of recovering the spaces in which walking is viable.
You know, Kiss can always go on as long as Gene and Paul want it to go on. Static-X is the same way. We're the two founding guys and the two vocalists and the driving force of the band. We can go on as long as we want, as long as the two of us are together. If I ever lost Tony, I'm sure I'd start something else.
After I retired, I was in Aspen, and after two months of being at home, I started to go nuts. I needed to go somewhere because that was the longest I never travelled.
We should not go to a baseball rule. If a kid goes to college and, after a year or two, wants to go to the NBA and is good enough - and he grew, he got bigger, he got more confidence - let him go. Why would you now force a kid to go two years?
Essentially, the popular musician in America must learn that his basic job is to entertain people, to make them forget their sorrows for a moment or two; in the same sense that any popular art form must aim at the same distraction value. Any such job as that is basically a young man's business. It takes a young man's energy to go traveling around the country, night after night in a different place, prancing and cavorting around in front of mobs of people all out to try to forget their problems for an evening. And for a young man it can be a good enough way of life, if he happens to like it.
Producing and deejaying are two different outlets to the same creativity. When I'm in the studio I get to create and go through my process. When I'm on stage I get to share the results of that process with everybody. It's two different experiences but they both go back to the same thing and I love them both.
Whoever prays twelve rakats during the night and day, a house will be built for him in paradise. Four before dhuhr, and two after, two rakats after maghrib, two rakats after ishaa, and two rakats before fajr prayer.
Let me tell you something, Mari. The ground we stand on looks solid enough, but if something happens it can drop right out from under you. And once that happens, you've had it: things'll never be the same. All you can do is go on, living alone down there in the darkness.
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