A Quote by Bob Newhart

One of the first things you ever learn as a stand-up is don't show fear. — © Bob Newhart
One of the first things you ever learn as a stand-up is don't show fear.
You forget that sometimes comedy is just a big night out for people. Almost every show, people come up to me and go, 'This is the first comedy show I've ever seen,' so you want to do well. If you do horribly at somebody's first time seeing live stand-up, well, you've not only tainted yourself, you've tainted a whole art form.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
One of the first things that you learn as a stand-up is, you're the boss. It's your stage, and don't screw with me because I'll make you look bad, which I had to do, because you wind up with drunks and loud people.
Have four things going. I have stand-up comedy, two television shows and I'm working on a play. I like to work, and I fear that something could fall through. You know what they say: 'The show must go off.'
Have four things going. I have stand-up comedy, two television shows and I'm working on a play. I like to work, and I fear that something could fall through. You know what they say: 'The show must go off.
At first, I was scared to show fear because you can never be sure how people will perceive you. But I dared myself to do that, to stand out. Now I'll talk about being beaten up or robbed or making a stupid decision because of a girl or whatever.
Fear! Fear again, for the first time since his 'teens. Fear, that he thought he would never know any more. Fear that no weapon, no jeopardy, no natural cataclysm, has ever been able to inspire until now. And now here it is running icily through him in the hot Chinese noon. Fear for the thing he loves, the only fear that can ever wholly cow the reckless and the brave.
For me, it was always survival. Learn where not to be at so you don't get shot. Learn where not to walk at so you don't get jumped. Learn who to stand up to, who not to stand up to. And then, when I got old enough to get a chip on my shoulder, I wanted to be the dog. I wanted to be the alpha.
Being on 'Whitney' is a job, but stand-up is my life. I could never stop. There's an art to it. I love having strangers laugh with me, so as long as I can continue doing that, I'll be happy. Working on a show and collectively sharing ideas with a cast is great, but stand-up is my first love.
When you're on stage performing stand-up, things only happen one time. I've done bits where I improv a joke, and people are dying. The next show, I try to repeat it, I can't do it. Because with the first audience that was our moment. It can't happen the same way again. We were all there: a certain type of people were at that show and we all got it.
It's a long haul bringing up our children to be good; you have to keep doing that — bring them up — and that means bringing things up with them: Asking, telling, sounding them out, sounding off yourself — finding, through experience, your own words, your own way of putting them together. You have to learn where you stand, and make sure your kids learn [where you stand], understand why, and soon, you hope, they'll be standing there beside you, with you.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
I started out being a stand up and writing my own material. That took me to Talk Soup, where I was writing and performing for TV. So everything is all the same job in my eyes, and I don't want to ever give up any part of it. I will say that stand-up is my first love; it's how I got started and is in my bones.
I am really touched and surprised that your generation [of millenials] feels that way, and I'm really happy the work stands up. But that show [Seinfeld] is going to stand up for all time: it's one of the greatest things that has ever been written, and still speaks to the quirks of being a human being no matter what the era.
When you learn to read and write, it opens up opportunities for you to learn so many other things. When you learn to read, you can then read to learn. And it's the same thing with coding. If you learn to code, you can code to learn. Now some of the things you can learn are sort of obvious. You learn more about how computers work.
A fact is like a sack - it won't stand up if it's empty. To make it stand up, first you have to put in it all the reasons and feelings that caused it in the first place.
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