A Quote by Bob Newhart

You shouldn't get too close to the truth, because then maybe you stop being funny. — © Bob Newhart
You shouldn't get too close to the truth, because then maybe you stop being funny.
The most sublime truth of all has never been stated or written or sung. Not because it is far away and can not be reached, but because it is so intimately close, closer than anything that can be spoken. It is alive as the stillness in the core of your being, too close to be described, too close to be objectified, too close to be known in the usual way of knowledge. The truth of who you are is yours already. It is already present.
Did you stop because it was good enough, or could have done more - but then maybe ruined it too? Sometimes you finish because you've gone too far.
We all know people who are ridiculously famous, and it's a scary thing because all of the sudden people - even the people you are close to - stop being honest with you, stop telling you the truth.
With 'Always Be My Maybe,' this has to be funny; this has to be entertaining. And then, when we stop for these moments with the characters that are emotional, you kind of feel it more because it's a little bit unexpected.
Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.
The courts are run on COMMERCIAL CONTRACT LAW and that is has NOTHING to do with any IN-LAW procedures whatsoever. So the nature of the game is to OBTAIN a CONTRACT with your OPPONENT (Adversary) so that the court can acknowledge and RATIFY the contract and SETTLE and CLOSE the case and move on and if you understand that EVERYTHING in there is happening by way of CONTRACTS instead of trying to get the truth out then MAYBE you'll get the truth to prevail by following the CORRECT procedure to get them to acknowledge the truth by CONTRACTUAL CONSENT.
If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.
I have to be careful because there is something destructive within me, I think, and I can have a tendency to just search for the kicks. I can't really get too close to someone who's too destructive, or too dark, because then I might go down the rabbit hole myself.
I never analyze stuff with comedy because it's boring. It makes you stop being funny. Just be who you are and do what you do, and you're either funny or you're not.
I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me?and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.
Maybe I was being too picky. Maybe I didn't want to be close to anyone. Maybe I'd just be the type who couldn't feel love all the way or something. I couldn't tell what was wrong, but what was wrong was that it just wasn't right.
Maybe we'll stop training our kids to stop looking at someone and automatically seeing them as Black or White or of this religion or that one etc, and instead, as a human being. Maybe we can stop forcing our ideas like, "I don't want them to marry this person because they are of this religion or this color" on them.
Hale, stop it.” Kat reached out and grabbed his arm. “You are many things, but stupid isn't one of them.” “I'm too close.” “You don't get it, do you? Being close is good. Caring is good. I love that you're emotional and passionate and can't turn these things off.” “It makes me a bad thief.” “It makes you a good person.
When you're no longer seeing yourself, in some ways. You're as close to being as you can be.I suppose that's consistent with the moment that the mind actually turns off, and is no longer questioning what you're doing. When the questions stop, that's when the real acting takes over. And trying to get to the point where the questions stop, "Would I do this? How do I feel about that as a character?" When those stop, and it's just doing X, Y, and zed, because that's what you'd do as this character, because you're inside this character somehow - that's when it really kicks off.
For some reason as a kid being a smart athlete didn't seem like the right thing, because you didn't fit in. You didn't want to be too smart because you'd be a nerd. But then you didn't want to be too dumb either because then you didn't get the grades you needed to play.
Something is funny, most of all, because it's true, and because the velocity of insight into this truth exceeds our normal standards. Something is funny because it's outside our accepted boundary of decorum. Something is funny because it defies our expectations. Something is funny because it offers a temporary reprieve from the hardship of seeing the world as it actually is. Something is funny because it is able to suggest gently that even the worst of our circumstances and sins is subject to eventual mercy.
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