A Quote by Bob Newhart

There was a sea of change in comedy in the late 1950s and '60s. We were dealing with vignettes as opposed to jokes. We were more socially aware. — © Bob Newhart
There was a sea of change in comedy in the late 1950s and '60s. We were dealing with vignettes as opposed to jokes. We were more socially aware.
People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.
Between the late 1950s and the late 1980s, more than 750 million tons of chemical wastes were discarded.
Experimental film by the '70s had become much more mainstream after 'Bonnie and Clyde' and stuff in the late '60s, when you were seeing bigger movies where people were exploring the medium a lot more.
We were wild-eyed hippies from the late '60s. We still had the exuberance of the mind-expanding '60s - that Tolkienesque, Zeppelin, androgynous, wood nymph, forest fairy kind of innocence. It sounds stupid now, but we felt we were changing the world with music.
In the 1950s and '60s, America's natural resources were in bad shape. Communities were so polluted that clouds of smog lingered over cities like Los Angeles. Rivers and lakes were filled with chemicals. In my hometown of Boston, the harbor was among the nation's most polluted waterways.
My father served as an Army doctor in West Germany in the late '50s and early '60s. As a result, he and my mother - both native southerners - were acutely aware of what had happened during the Holocaust.
And Barry Levinson is insanely funny. I don't know if you know this, not everyone does, but he and Craig T. Nelson were a comedy team back in the coffeehouse days of the late '60s.
O.J. Simpson was primarily interested in O.J. His rise to fame in the late '60s coincided with the period where black athletes were more outspoken and political than in any era. You're talking about the generation of black athletes that came about after Jackie Robinson. Athletes after that were just happy to find a place in sports. But when you got to the mid-'60s, you had athletes like Jim Brown and Muhammad Ali, who were very outspoken on the issues of race and civil rights.
If you were a kid in the 1950s, and you got nightmares from a story in a horror comic book, you have Al Feldstein to blame. If you were a kid in the '60s or '70s, giggling at 'MAD's prankster wit, you have Feldstein to thank.
My parents came over from Barbados in the late 1950s and early '60s.
Students in the '60s were responsible for great changes, politically and socially.
I had some jokes that were dirty. And some of it is when I started making appearances on Conan and Letterman back in the late '90s, I think. You had to remove the curse words, or you couldn't do some of the more explicit jokes.
There were so many great music and political scenes going on in the late '60s in Cambridge. The ratio of guys to girls at Harvard was four to one, so all of those things were playing in my mind.
There were definitely songs in the past that were me dealing with living this gender dysphoria, and sometimes they were really direct and no one picked up on it - but oftentimes, they were more veiled in metaphor.
If you were a successful upper-middle-class Negro girl in the 1950s and '60s, you were, in practice and imagination, a white Protestant upper middle-class girl. Young, good-looking white women were the most desirable creatures in the world. It was hard not to want to imitate them; it was highly toxic, too, as we would learn.
It was a very strange time in the late 1950s/early 1960s, when people were putting things in space, but that language of spacecraft hadn't really congealed yet. A lot of artists at that time were looking at them as aesthetic objects.
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