A Quote by Bob Newhart

I don't know how many sacred cows there are today. I think there's a little confusion between humor and gross passing for humor. That's kind of regrettable. — © Bob Newhart
I don't know how many sacred cows there are today. I think there's a little confusion between humor and gross passing for humor. That's kind of regrettable.
I think there's a little confusion between humor and 'gross' passing for humor. That's kind of regrettable, because they aren't the same thing.
I think I love humor in poetry, but not that slapstick cheap easy humor, but that uncomfortable, "did she say that out loud?" kind of humor.
I've always thought the word cow was funny. And cows are sort of tragic figures. Cows blur the line between tragedy and humor.
Humor is something that thrives between man's aspirations and his limitations. There is more logic in humor than in anything else. Because, you see, humor is truth.
You know what make me laugh? Good, clean, honest humor. Not-trying-to-be-funny humor. Like Will Ferrell. Will Ferrell got that kind of humor.
An interesting difference between African-American humor and Jewish humor, in it's kind of basic or maybe most austere type form is, African-American humor, some of it comes out of playing the dozens in which you insult the other person or insult the other person's mother, and so much of Jewish humor is like, you're insulting yourself. It's totally self-deprecating.
I think the thrust of any child is to try to fit in and be part of it. And I can't tell you how many times my humor, you know, what I thought was humor ended up making me the outsider. Like I'd be, I go, 'It's a joke.' And they'd go, 'Well, what was funny?' And they just thought I was insane.
I didn't think that anything is beyond humor - not profane humor, but a good, honest approach to humor.
I think Canadian humor is a little less broad than American humor.
I learned that on kids' shows, you have to eat a lot of stuff. A lot of the humor comes from food and gross-out humor.
The thing I have learned, especially in the Internet age, probably the easiest thing in the world is to declare that something is not funny. I mean it's not actually humor to say something is not funny, but it is viewed by a lot of people - and by that I mean mainly snarky young Internet men - as a kind of humor in and of itself is putting down other people's efforts at humor. And I don't care that much anymore about that because I know how easy that is to do.
Old Zen was very funny; there was a great deal of humor and happiness. Zen today seems much drier. While there's a certain amount of humor, it seems to lack that total intensity because humor is one of the primary tools for liberation.
From a simple, mammal perspective, you think you're going to make friends through the movie. You think, "Oh, this kind of humor that I play with will bring people that have a similar kind of humor. I'll make new friends," or something. You don't even think in terms of audience or of money.
I actually pay careful attention to that sort of thing - infusing humor into my films - because that's how important I think humor is.
I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.
We have always had gross humor. But we try for funny, not gross.
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