A Quote by Bob Norster

Don't ask me about emotions in the Welsh dressing room. I'm someone who cries when he watches Little House on the Prairie. — © Bob Norster
Don't ask me about emotions in the Welsh dressing room. I'm someone who cries when he watches Little House on the Prairie.
'Sesame Street' early on and then 'Little House on the Prairie' was a big deal in our house. I always identified with 'Little House' because they were wanderers, and there was something about being an immigrant.
It is a little bit strange from when you share a dressing room with someone, you play with them and then all of a sudden they are your manager but you used to have conversations with them that stay in dressing rooms and now you can't really have those conversations!
It's an odd thing about love. When someone you love cries, your heart melts. But when someone you don't love cries, you look at them and think, Why are you telling 'me' this?
If you want a measure of how private a place the dressing room was when I was growing up at Manchester United, consider this: even Sir Alex Ferguson would knock before coming into the dressing room at the Cliff, the old training ground. The dressing room is for the players - and the players only.
When someone kisses someone or flushes the toilet it is my other who sits in a ball and cries. My other beats a tin drum in my heart. My other hangs up laundry as I try to sleep. My other cries and cries and cries when I put on a cocktail dress.
When I'm with him, there is someone with me in my house of grief, someone who knows its architecture as I do, who can walk with me, from room to sorrowful room, making the whole rambling structure of wind and emptiness not quite as scary, as lonely as it was before.
And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.
I want people to ask me how I feel about the world, or what is my day about, and ask me a question that's not just related to food, but that's related to me being a person: Someone that's vulnerable, someone that has ideas and someone that wants to learn more.
It's an incredible feeling when you look across the dressing room and see Andres, Leo, Luis and Sergio Busquets, and everyone else. They are players I used to watch on TV or play with on PlayStation, and now I am sharing the same dressing room. It's incredible for me.
You might be a redneck if you watch Little House on the Prairie for decorating tips.
Twenty-five years ago I couldn`t walk down the street without being recognized. Now I can put a cap on, walk anywhere and no one pays me any attention. They don`t ask me about my movies and they don`t ask me about my salad dressing because they don`t know who I am. Am I happy about this? You bet.
Now the dressing-room full of RSC hierarchy. Suddenly Trevor Nunn pushes his way through and 'Trevs' me. I've heard a lot about this 'Trevving', but never had it done to me. From what I'd heard, a 'Trev' is an arm round your shoulder and a sideways squeeze. But this 'Trev' is a full frontal hug, so complete and so intimate that the dressing-room instantly clears, as if by suction. I'm left alone in the arms of this famous man wondering whether it's polite to let go.
As I kid, I read the 'Little House on the Prairie' series and was sad when I got to the last book.
Growing up, I remember watching 'Little House on the Prairie' and 'L.A. Law' and being so obsessed with it.
My parents gave up a lot to bring me up in the little house on the prairie, and I wasn't prepared to make those sacrifices, nor was the generation before me and the generation after.
For my 9th birthday, my only wish was to eat like a farmer boy. I had devoured 'The Little House on the Prairie' book series and wanted to be like Almanzo Wilder, the protagonist of 'Farmer Boy,' one of the later installments in the 'Little House' series.
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