A Quote by Bob Odenkirk
In acting, you're only responsible for your part. When you're directing, the load is on your shoulders, so you have to feel a strong connection to the material. It's a higher bar to get over.
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As an actor, your focus is very finite. All you're worried about is your character and what you have to do, what your goals are in this scene and in this piece of material. Whereas, as the director, everything is your responsibility. I enjoy carrying the load like that and being the responsible party.
Acting is kind of gay. It makes you soft. You got all these people combing your hair and putting a coat over your shoulders when you're cold. I don't want a coat over my shoulders!
So much of comedy happens between your chin and your shoulders. Nobody tells you when you get your own TV show that you're going to watch yourself in the edit room over and over and over again. It's a tough lesson.
The most difficult thing about acting and directing in a film is acting and directing in a film. Every ounce of your physical and emotional being, and your analytical and thoughtful and producorial being, is being exercised at all points. You are 100% working on overdrive, but because it is only for X amount of days, if you have the stomach for it, you hustle through. It's a massive undertaking, and I think preparation is the key to success for that endeavor.
I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.
Acting is not about competing. Acting is about cooperating. Acting is about collaboration. It's about your utility, your usefulness, your capacity to add to the work that has already been done and will be done. You're just part of a team. I never feel competitive about acting.
There are three forces--of the body, mind and feeling. Unless these are together, equally developed and harmonized, a steady connection cannot be made with a higher force. Everything in the Work is a preparation for that connection. That is the aim of the work. The higher energy wishes to but cannot come down to the level of the body unless one works. Only by working can you fulfill your purpose and participate in the life of the cosmos. This is what can give meaning and significance to your life.
Your worries, your feelings, your thoughts arise in your own mind. You are totally responsible for all your feelings - how you feel, what you think, what you do... You are responsible.
Strong shoulders will do more than just make everyday tasks easier. By developing the muscles of the upper body, you'll get sexy-looking shoulders and create a 'V' silhouette that makes your hips and waist appear slimmer.
Interestingly enough, there is a really different dynamic when you're directing something that somebody else has written compared to when you're directing something that you've written. And there's a good and a bad side to it. I think the bad side is that you never feel the same level of connection to the material - you just don't.
I'm always writing, but directing takes priority over everything, unless the acting is a job that lifts that whole brand. If I get a part in a big film with a big director and I was going to direct one of my one films, I would take the former job because that job will only help anything that I then intend to do. I think in the long run, directing is the thing that will outlive everything else. Maybe that and writing.
If you give up the guilt, that's a huge load off your shoulders.
If you're directing and acting, I feel like they both suffer, to some extent. There are so many elements to it. If you do acting and directing, at the same time, it's not going to be as good, I believe, as if you focus on one or the other.
I would recommend that any writer get off their ass at least once and just try it. Directing is a completely different set of muscles. It also affects your writing because, once you start directing, you tend to write your scripts with directing in mind.
There's really no honor in proving that you can carry the entire load on your own shoulders. Andit's lonely.
Feelings are you inner guidance system-your emotional compass. When you allow this compass to direct your actions you build self-trust. When you feel hungry, you eat. When you feel tired, you rest. When you feel lonely, you reach out for a connection to others. In this most basic way your feelings link you with the wisest part of yourself. They tell you what you need to know at any given moment.
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