A Quote by Bob Odenkirk

All people are sad clowns. That's the key to comedy - and it's a buffer against reality. — © Bob Odenkirk
All people are sad clowns. That's the key to comedy - and it's a buffer against reality.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
So many things suddenly made sense for the clowns, for the whole idea. I’d been going through a struggle, particularly after 9/11; I couldn’t figure out what I wanted to say. I still wanted the work to be the same kind of mixture – intense, with a nasty side or an ugly side, but also with a real pathos about the characters – and clowns have an underlying sense of sadness while they’re trying to cheer people up. Clowns are sad, but they’re also psychotically, hysterically happy.
No clowns were funny. That was the whole purpose of a clown. People laughed at clowns, but only out of nervousness. The point of clowns was that, after watching them, anything else that happened seemed enjoyable
Everyone hates clowns," Otis said. "Even other clowns hate clowns.
Businesses that decide to be reality based and identify where they're vulnerable to climate impact, that start thinking about how to buffer against it, are going to be able to take advantage of shortages. When the water runs out, not everyone is in the same pickle.
There are two types of people in this world. People who hate clowns...and clowns. (Bobby Pendragon)
I don't even like clowns. Clowns are not normal people.
The beauty of comedy is, when people come to a comedy club, there is a certain veil of reality suspended.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
Although computer memory is no longer expensive, there's always a finite size buffer somewhere. When a big piece of news arrives, everybody sends a message to everybody else, and the buffer fills
Although computer memory is no longer expensive, there's always a finite size buffer somewhere. When a big piece of news arrives, everybody sends a message to everybody else, and the buffer fills.
In reality, you cannot withstand for five years and more against all those countries, the West, and the Gulf states, the petrodollars, and all this propaganda, the strongest media corporations around the world, if you don't have the support of your own people. That's against the reality.
I like the clowns from the circus that have more paint on their face. They were all funny and made me laugh. As a kid, I remember the clowns that were all in white reminded me more of death than circus clowns. It can be a scary thing.
I really didn't want to expand the negative vision of clowns because clowns are not intrinsically scary.
I was obsessed with clowns. My dad had to get rid of them. I thought there were clowns under my bed for years.
This site uses cookies to ensure you get the best experience. More info...
Got it!