A Quote by Bob Odenkirk
I love writing comedy and being a part of it, but as a visual, physical presence in a story, I probably am more impactful in drama. It's not really a tribute to my dexterity and wide-ranging talent so much as it is a person finally getting to where they should've been from the start.
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My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.
I really wanted to do a comedy. I've done a lot of drama, and comedy was the one genre I was not being offered. So I became obsessive about getting one. I tried with two little parts in comedies that were more mainstream, I was kind of fumbling around, and then I read The Brothers Bloom and knew it was the one I wanted to jump into. Did it take adjusting? Actually, it's not really any different from doing drama.
The most joyful part of writing, for me, is when I am 90% there, and suddenly the story clicks into place, and things finally start to make sense.
I love writing, and I love postproduction. That's great, because you start to reassemble the film, and you sit there, and you start to really put the film together, finally. The shooting of it is the most stressful part of the process.
Real love doesn't die. It's the physical body that dies. Genuine, authentic love has no expectations whatsoever; it doesn't even need the physical presence of a person. ... Even when he is dead and buried that part of you that loves the person will always live.
As much as I like being part of commercial films that give me visibility with a wide audience, and love being the glamourous girl, at the end of the day, I am an actor, and nothing can be more satisfying than being appreciated for my craft.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
To be honest, I'm probably more of a comedy person, actually. I really enjoy the comedy stuff, and I've got some things I'll be working on that I think are just different ways of combining genres in comedy and drama and action.
I am less selfish. But I am more insistent on being part of the creative experience. I find I am a better mother, lover and wife when I am writing. When my daughter was small I wasn't writing as much and I didn't miss it.
Getting older is not nice for anyone, not for men, not for women, and even more difficult for people who depend on their physical appearance. But it's not a drama. I know some people who are much more stressed than I am. And also, I live in Europe; I think it would be much more difficult if I lived in America.
Comedy's my first love. I love that so much. You play comedy in drama, too. The difference between genres doesn't really change the method of acting.
Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story.
As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama. When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
I've been through so much damn adversity, I've had so much critiqued on me. From being the undefeated world champion to never really getting the love or the respect I feel I deserved when I was on top and then finally getting knocked down and then everybody jumping on top, trying to kick me while I was down.
Writing and producing television very much speaks to the extroverted part of my personality. I love collaboration, the joint effort of hundreds of people working together to create something. But the other part of who I am is extremely introverted. I love being alone and dreaming up ideas and writing novels.
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