A Quote by Bob Parsons
You got to go down a lot of wrong roads to find the right one.
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When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won’t allow their characters to go down those roads... I’ve never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I’ll follow them.
No single decision you ever made has led in a straight line to where you find yourself now. You peeked down some roads and took a few steps before turning back. You followed some roads that came to a dead end and others that got lost at too many intersections. Ultimately, all roads are connected to all other roads.
There's roads, and there's roads,
And they call. Can't you hear it?
Roads of the earth
And roads of the spirit
The best roads of all
Are the ones that aren't certain.
One of those is where you'll find me
'Til they drop the big curtain.
Being truly aimless is like being dead. It may even be the same thing, or worse. It is the aimless who find the wrong roads, and drive down them, simply because they have nowhere else to go.
Be flexible. Don't be afraid to change your mind. If you're wrong, change your mind. If you go down the wrong path, and you're down 10-12%, it's better to sell down 15% versus 50%. If you have an idea that something is going to happen, you're predicting the future, and it's OK to be wrong. Where you can go wrong is by making a prediction that doesn't come true, and then sticking with it.
No matter how good you are, your mentality has got to be right. A lot of young players, that's where they go wrong, and that's what I've always seen when I was growing up - players who are almost there but couldn't quite get there because the mentality wasn't right.
One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.
All the earth is seamed with roads, and all the sea is furrowed with the tracks of ships, and over all the roads and all the waters a continuous stream of people passes up and down - traveling, as they say, for their pleasure. What is it, I wonder, that they go out to see?
(On soft launches) It allows you to test your assumptions and see which ones you got right, and more, importantly, which ones you got wrong. A big hard launch is expensive. Getting even one thing wrong can force you to go out of business.
Children, a lot of times, can't make their parents wrong because they have to live with them, because they have to love them. And when you're young, you can't get on your Big Wheel and go down to the Best Western. You've got to live there and you've got to figure it out.
Right is right, and wrong is wrong, and a body ain’t got no business doing wrong when he ain’t ignorant and knows better.
I was at Watford and got a knock-back when I was 16 and didn't get a YTS contract. They said I could find another club or go in and train three times a week after school. I'd been there since I was 10, so I got my head down and proved them wrong. Within a year, they had signed me up, and I haven't looked back.
To me, the fundamental thing - well, I guess I see a lot of people debating in the wrong way. A lot of the debate is, should we go to the coasts, should we go to the center, should we go to the left, should we go to the right?
A lot of times, the internal R&D doesn't pan out. You go down one route, you find that it doesn't work the way you planned, and you have to switch and go down another one.
I grew up doing a lot of traveling. My mom left home when she was 15 and traveled to 48 different countries and speaks six different languages. So I grew up with my eyes open. She raised me so that if my heart says something is wrong, I have to go help. What's right is right and what's wrong is wrong.
I like to help kids, work with kids in detention homes. Don't tell a kid what's right and wrong. He knows what's right and wrong. Find out what his attitude and his aptitude are; try to help him where he wants to go.
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