A Quote by Bob Peterson

I was a Charles Schulz kind of guy. I didn't read comics books. The Warner Bros. guys were great - Chuck Jones and Friz Freleng. — © Bob Peterson
I was a Charles Schulz kind of guy. I didn't read comics books. The Warner Bros. guys were great - Chuck Jones and Friz Freleng.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
Certainly some guy eating cardboard in Cincinnati has lost any ordinary impetus to review your novel decently if he's just read you just got six figures out of Warner Bros - which incidentally was not true.
I don't think I'd know if I were sitting next to Charles Schulz on an airplane.
I was looking to explore the theme of good and evil, so what better inspiration than the comics? I'd developed a relationship with DC and Warner Bros. when I donated a sculpture of Catwoman to the 'We Can Be Heroes' campaign a few years ago. That's what started it.
And Warner Bros. seems to be pretty much into re-releasing all of their catalog. So there's the Warner Bros. stuff and the stuff that we have control over, we're gradually re-releasing it. Some stuff we don't have control over.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
I was working with another major label after Warner Bros, and they were telling me who to hire as musicians, what kind of music to play, what producer to use. I mean, what's the point of putting me on the record?
Warner Bros. is just this amazing historic studio that does great movies.
Today Washington is our Hollywood, the Senate our Warner Bros., the White House our Beverly Hills. People who never read a line of a movie magazine deal with the lives of leaders as if they were Elizabeth Taylor and Richard Burton.
Warner Bros. never really got behind the solo work. They always kind of drew a blank. I think they always were thinking, 'Well, this is nice, but let's get back to what's really important.'
The comics I read as a kid were all about guys in tights. But here was a guy who wore a fedora. He fought crime like they did in Marvel and DC, but he did it in the real world. I had just turned 12 when I met the Spirit and it was a strange coincidence. At the same time I discovered girls I fell out of love with guys in tights.
Attention spans are changing. It's very noticeable. I am very aware that the kind of books I read in my childhood kids now won't be able to read. I was reading Kipling and PG Wodehouse and Shakespeare at the age of 11. The kind of description and detail I read I would not put in my books. I don't know how much you can fight that because you want children to read. So I pack in excitement and plot and illustrations and have a cliffhanger every chapter. Charles Dickens was doing cliffhangers way back when. But even with all the excitement you have to make children care about the characters.
Man, I don't read books! I just read a bunch of 'Walking Dead' comics. I don't even read comics, but zombies are something I just can't get enough of.
There are a lot of people out there who will write books, in which everything turns out nicely and the bad guys lose, the good guys win, the boy gets the girl and they live happily ever after. There's a million books like that and if that's the comfort you're looking for, you should read those books and not my books because that's not the kind of book that I am interested in.
For me, the very last great strip is 'Peanuts.' After 'Peanuts,' there are a very few strips that I enjoyed for different reasons, but I don't think they were great. I don't think anything's come along since Charles Schulz - and I mean since 1950 - that I think rises above the professional or the eccentric into that realm of greatness.
I was arrested and put in murder's row. They were trying to get me for some murders I didn't do. They had me in a cell next to Charles Manson; he was going to trial at the time. And it was all a row of black and brown guys and one white guy: Charles Manson.
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