A Quote by Bob Peterson

My cartoon strips in college strived to have the Schulzian mix of surrealism and Charlie Brown angst. A bit of that combo shows up in 'Up.' — © Bob Peterson
My cartoon strips in college strived to have the Schulzian mix of surrealism and Charlie Brown angst. A bit of that combo shows up in 'Up.'
Linus: It was a short summer, Charlie Brown. Charlie Brown: And it looks like it's gonna be a looong winter.
I grew up watching the old 'Batman' shows, the 'Batman' cartoon, and the 'X-Men' cartoon was on when I was little. I was always surrounded by superheroes.
I'm not sure about that role any longer. The role used to be to mix things up and I think to a great extent it still is, but the quality of the work of the political cartoon has been succeeded by the wisecrack, the gag cartoon, so that the cartoonist becomes more of the equivalent of the Jay Leno monologues, or David Letterman monologues.
I think some days you should do a cartoon that is absolutely just for the laugh, and some days you should do a cartoon that just punches the reader right in the stomach. It's kind of nice to mix it up.
When you get down to it, at it's root, Comedy is truth, absurdity, and pain. One of my little mottos is: 'Do you remember the Peanuts cartoon where Charlie Brown kicked the football and kissed the Little Red Haired Girl? Neither do I.'
When you get down to it, at it's root, Comedy is truth, absurdity, and pain. One of my little mottos is: 'Do you remember the Peanuts cartoon where Charlie Brown kicked the football and kissed the Little Red Haired Girl? Neither do I.
With Charlie Brown, it was about loneliness and isolation. I always thought that the thing about Charlie Brown and those characters was the absence of the parents. Half the strip was about who wasn't there. The parents were never in the picture.
First of all, don't mix your hairpins up with mine! You .... Oh! All right, mix your muck with mine. Mix it! Mix your rags with my tatters! Mix it all up.
Each night, we try something new, play different songs, see what works, what goes down well, mix it up a bit until we find the right mix.
Why are you standing here, Charlie Brown?" "I'm waiting for that little red-haired girl to walk by... I'm going to say hello to her and ask her how she's enjoying her summer vacation, and just sort of talk to her... You know..." "You'll never do it, Charlie Brown... You'll panic..." "Besides that, she's already walked by!
Anorexia is a response to cultural images of the female body - waiflike, angular - that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone.
One of my first big shows, I opened up for Chris Brown; I was about 10 years old, and Chris Brown was just big; he still is one of my idols now.
Linus Van Pelt: Well, I can understand how you feel. You worked hard, studying for the spelling bee, and I suppose you feel you let everyone down, and you made a fool of yourself and everything. But did you notice something, Charlie Brown? Charlie Brown: What's that? Linus Van Pelt: The world didn't come to an end.
Lucy: Do you think you have Pantophobia, Charlie Brown? Charlie: I don't know, what is pantophobia? Lucy: The fear of Everything. Charlie: THAT'S IT!!!
It's cool to see a bunch of brown kids in the crowd. I wanna be a brown artist that they look up to. I didn't see that many artists with my same culture that I looked up to when I was growing up. The industry has always been whitewashed.
My idol growing up was Charlie Chaplin. I was obsessed with him. I mean, while other kids were watching Jim Carrey and the likes in the '90s, I was watching Charlie Chaplin films, because I was a bit of a geek. I became obsessed with this idea of physical comedy.
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