A Quote by Bob Richardson

I have always photographed loneliness because that is my life. — © Bob Richardson
I have always photographed loneliness because that is my life.
When I was being photographed, I always felt very much in my own skin. That's probably one of the reasons why I enjoy being photographed.
I've grown up around people who love photography, and I think from being photographed for so long, I always wanted to understand how it worked, and I've been fortunate enough to be photographed by some really wonderful photographers, and so I learnt a lot from them, and I always ask them questions.
It is precisely when you are loved a lot that you might realize a second loneliness which is not to be solved but lived. This second loneliness is an existential loneliness that belongs to the basis of our being. It's where we are unfulfilled because only God can fill us.
The line between the reality that is photographed because it seems beautiful to us and the reality that seems beautiful because it has been photographed is very narrow.
...and my loneliness, always my loneliness - that airless bubble of despair that is slowing stifling me.
For me it is essential to understand that everyone is alone. Not in the sense of loneliness, but rather in the sense that no one can completely understand someone else. I know very well what Diane Arbus means when she says that one cannot crawl into someone else's skin, but there is always an urge to do so anyway. I want to awaken definite sympathies for the person I have photographed.
Loneliness is caused by an alienation from life. It is a loneliness from your real self.
People cannot win against their loneliness because loneliness is this world’s worst kind of pain.
To live a spiritual life we must first find the courage to enter into the desert of our loneliness and to change it by gentle and persistent efforts into a garden of solitude. The movement from loneliness to solitude, however, is the beginning of any spiritual life because it it is the movement from the restless senses to the restful spirit,l from the outward-reaching cravings to the inward-reaching search, from the fearful clinging to the fearless play.
There are degrees of loneliness, ways in which the experience of loneliness deepens, becomes something like what we might call a way of life. This way of life is both what is most damaging to us as a culture, and, paradoxically, contributes to its richness. It may in the end be our lasting contribution to the life of our planet.
A fisherman, say, working on a beach doing his job, may be photographed by a tourist because it's photogenic to see him working, and the Caribbean is extremely photogenic, so poverty is photogenic, and a lot of people are photographed in their poverty, and sometimes it's kind of exploited.
You know, the Chinese don't like to be photographed because they believe that a part of their life is being taken away by the photographer. And in a way, they're right. The photographer is trying to get the prettiest moment of a life in his camera.
What has changed is that when I photographed, most people that I photographed didn't have the right of refusal on their work. It would take a Marilyn Monroe at her height to be able to dictate that.
When I was photographed, I didn't feel I was acting. I just felt I was being photographed. It sort of taught me things about myself that I didn't know and was trying to find out.
It's difficult on my dating life, because anyone I get photographed with is automatically my boyfriend. So it just makes it look as if I've had, like, 6,000 boyfriends!
For I'm afraid of loneliness; shiveringly, terribly afraid. I don't mean the ordinary physical loneliness, for here I am, deliberately travelled away from London to get to it, to its spaciousness and healing. I mean that awful loneliness of spirit that is the ultimate tragedy of life. When you've got to that, really reached it, without hope, without escape, you die. You just can't bear it, and you die.
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