A Quote by Bob Saget
It think acceptance levels sort of swings back and forth. Like in the 60's there was a lot more freedom with sex that doesn't exist today. Language has gotten pushed a bit farther and violence is way far out.
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So I've been pushed farther and farther out into the mountains, but at the same time realizing that that experience is really nice and I'm glad I'm getting pushed out there farther.
You've got to reach towards a better language, and you're not going to make it up from scratch; you've got to reach back into the tradition. Western tradition is not as impoverished as a lot of people would like to think, but you'd have to go back before the industrial revolution; you may have to go back farther than that. Of course, the Bible has a perfectly adequate language, but it's suffered a lot of thoughtless wear.
I think as technology and expertise makes possible these sort of amazing levels of fidelity to the real world, a lot of people sort of get sort of - what's the word I'm looking for - seduced into that. And after a time, they get tired of it and they become a little bit more interested, I think at a certain level of subtraction and a new level of sophistication.
In this world, there are two times. There is mechanical time and there is body time. The first is as rigid and metallic as a massive pendulum of iron that swings back and forth, back and forth, back and forth. The second squirms and wriggles like a bluefish in a bay. The first is unyielding, predetermined. The second makes up its mind as it goes along.
I wanted to rock back and forth between myth and distant futures, yesterday, today, and tomorrow. It felt a bit like prophecy and a bit like storytelling.
The reason I've gotten into script-writing, which was accidental to begin with, was that I found it was a far more effective medium for violence. Which is something that I'd always written in songs, but the violence always sat strangely within a song. And I was always interested in the way in which you listen to murder ballads and things like that - these weird lines would kind of come out, like, I drug her by the hair or something - that sat weirdly in the song. Film seems to be a medium designed for betrayal and violence.
I think the technology today is so much more advanced that it gives kids a lot more freedom... Back then it was a lot different.
I think I'm like most novelists in that my books have gotten farther and farther away from autobiography the longer I've been writing them.
Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.
Violence is used to suppress a people in a most blatantly crude way. We can historicize and contextualize it. We can analyze the Algerian situation, its history and so forth, and question whether that is anything like the situation we face today. But, this is only one way to understand why violence becomes so important.
Only in the 20th century, artists started taking the study of perception in a more humane way. They were thinking about the eye as being an instrument, the whole body as being a visual instrument. That sort of gave way a little bit with Cartesian - the "Cogito ergo sum" argument. It's not, "I think therefore I exist." It's, "I feel therefore I think therefore I exist."
I think violence begets violence. I don't think a way to solve any sort of conflict is with violence because nothing ever ends up solved, that way.
Before Enron, I think people were a bit more naive about the way things worked, and I think Enron pulled the curtain back on unsavoury practices that turned out to be a lot more widespread.
I think people have this sort of idea that 'Sex and the City' was this overnight sensation, and that can't be farther from the truth.
And with this sort of increased visibility, there's more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out. And I do think it's sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing. But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
I think there's something very dark in the South African psyche. I think we live a lot of the time in a state of a very low-grade civil war; the levels of violence in South Africa are extremely high. In a way, the civil war that never happened is being played out in a covert way, so we live with a lot of very ugly things.
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