If you hit somebody hard enough, they will give up. You can feel their body go limp and they'll just surrender. So every time I hit somebody, the goal is to knock myself out. I know that if I hit somebody hard enough that I can feel it, it's hurting them 10 times worse.
As an actor, I feel like I'm somebody who, when somebody gives me a mark, I don't want to hit it. I don't like that. But then, without even knowing it, I just hit it.
If we were to hit the level that Metallica or somebody like that hit, we'd have had a hard time dealing with it. I think it would have been our doom. It's hard for anybody at that level.
If I hit you and you hit me and I hit you back and you hit me back and go on, you see, that goes on ad infinitum. It just never ends. Somewhere somebody must have a little sense, and that's the strong person.
Getting older doesn't help you in the fact that you might have covered some of this ground before. So you're listening to a song that you know is a hit, but it just can't be a hit for you, it's gonna be a hit for somebody else. That's tough.
When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
I don't know what other fighters do, but when I get hit and go down, I smile and I say, 'I'm going to hit you harder than you hit me, and I'm going to knock you out.' The times I go down and get back up - that's when I'm the most dangerous.
Over 80% of the poor are people who have small plots of land and grow their own food and they don't grow enough to sell much into the marketplace. So they will be hit hard by the worst in climate. They really get hit hard starting in the 20-year time frame and thereafter.
Playing football, I'm getting chills just thinking about it. That first knock of the game, you are going on kickoff, and you are just trying to smack somebody just as hard as you can. That's how I play baseball. I want to hit you.
One of the issues with the fight scene - especially with actors - is that when the adrenaline gets going you lose the plot. Before you know it, you've hit somebody and you've hit them harder than you meant to.
Anybody whose film becomes a hit is a superstar. Today there is somebody, and tomorrow there will be somebody else. No single woman or man has a monopoly for all time.
Behind the scenes, I'm not a politicker. I have a very hard time telling somebody they're right when I feel they're wrong, and I have a very hard time telling somebody they're good when I feel they're not. That's just me.
Just mention the idea of warrantless wiretaps and expect to get hit up with a congressional investigation. But give somebody an avatar and a URL, and he can't tweet, post or hyperlink enough personal information about himself to as many people as possible.
You always measure success by what you did last. It's hard to measure that because it's something that just comes. If someone can just make a hit, they would do it everyday. But you can't make a hit that you know is a hit every day.
It was hard to find somebody who could juggle both. And so we were really just focusing more on that. We figured, okay, if we're lucky enough to find somebody then, you know, the audience will get over it in one episode.
That's when I finally got it. I finally understood. It wasn't the thought that counted. It was the actual execution that mattered, the showing up for somebody. The intent behind it wasn't enough. Not for me. Not anymore. It wasn't enough to know that deep down, he loved me. You had to actually say it to somebody, show them you cared. And he just didn't. Not enough.
You feel like a criminal. Knowing you can knock somebody out and know you can put somebody in a temporary coma, that's what you want to go for. It shows how strong, how powerful a person can be to be able to do that.