A Quote by Bob Schieffer

I want to try to talk like normal people talk, not just stand there and bark at the camera. — © Bob Schieffer
I want to try to talk like normal people talk, not just stand there and bark at the camera.
You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.
As a father, you find yourself telling this to your kids a lot. My son, when he didn't want to play baseball, I was like, "Buddy, try it. Try playing baseball and if you don't like it, that's fine. But I want you to try it. I want you to try as hard as you can at it. And then we'll talk about it." You kind of have to give yourself the same pep talk. As a 43-year-old, you're like, "You know what? Just, try it. Try as hard as you can, give it everything you got and then accept the results."
I just have to live my truth and know that it's okay to rock on my own vibration, because I'm me. I try to stand by that code, especially as a young Black woman in this industry. I try to walk the walk and talk the talk.
Twenty-four hour news delivers people who stand and talk to camera rather than deliver reported packages with their own camera crew where it's happening.
Some directors hand over portions of their movie to their head of department to the point where it's like, "I'm not going to talk to you about the costumes, but I'm going to let you talk to the expert." Rather than, "You want to talk stitching, let's talk stitching. You want to talk grade of leather? Let's."
For me [in my stand-ups] I do what is from the heart. I do what I relate to, what I can talk about, things that I can define. I don't try to talk about things just because they might be a popular subject. I talk about things I know about.
I'm a big emotional mess. I try to talk about things that people don't like to talk about, especially in music. Hopefully it reaches someone and lets them access their vulnerability. That's what I want it to accomplish.
I want every scene to feel electric and I try to finish the filming period with a clear trajectory: a beginning, a middle, and hopefully an end.I hate "fly on the wall." It infers that I don't relate to the people we're with and that I don't get affected by events. I like it when people talk to me. I never say things like "Don't look at the camera" - how bossy!
In the theatre, people talk. Talk, talk until the cows come home about journeys of discovery and about what Hazlitt thought of a line of Shakespeare. I can't stand it.
The bad news is that Iran wants to talk about everything except their nuclear program. They want to talk about regional cooperation, they want to talk about the sanctions issues, and it seems like the western powers want to talk about nothing more than the nuclear issue.
Every day is not perfect. You have your bad days and good days just like anyone else. You do not want to talk to people sometimes. It is normal.
People don't want to talk about death, just like they don't want to talk about computer security. Maybe I should have named my workstation Fear. People are so motivated by fear.
The Pekes and the Pollicles, everyone knows, Are proud and implacable, passionate foes; It is always the same, wherever one goes. And the Pugs and the Poms, although most people say that they do not like fighting, will often display Every symptom of wanting to join in the fray. And they Bark bark bark bark bark bark Until you can hear them all over the park.
You can talk all you want but I'm definitely going to bark back.
When I talk to the camera, mate, it's not like I'm talking to the camera, I'm talking to you because I want to whip you around and plunk you right there with me.
It's just a matter of who you are and how you talk to people. Your subjects will trust you only if you're confident about what you're doing. It really bothers me when photographers first approach a subject without a camera, try to establish a personal relationship, and only then get out their cameras. It's deceptive. I think you should just show up with a camera, to make your intentions clear. People will either accept you or they won't.
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